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Baker City Booming with Life

“What’s there to see in Baker City?” a friend asked when told that my husband, Michael, and I had stopped there on a recent (and rare) road trip.

“The town!” Michael declared emphatically,

Indeed, we turned off the highway at Baker City, Ore. for a lunch break and ended up spending an unplanned three hours in the town of 10,000. Most people stop here to visit the town’s excellent National Historic Oregon Trail Interpretative Center located just five miles east of Baker City or the Baker Heritage Museum found just off the highway as you enter the main section of town.   Both are good museums and offer a glimpse into pioneer life for those who came through here during the gold rush of he 1860s.  For many, Baker City was one of the last stopping points before traversing the Cascade Mountains that separate Eastern and Western Oregon.

Welcome to Baker City! The sign denoting the town’s historic center.

Some are now crossing back to settle in Baker City.  Like the architect from Portland (and a graduate of Kansas State University) who has retired in Baker City because it’s a ‘real town, with a walk-able downtown and doesn’t live behind walls.”  Larry and his wife now own one of the many historic buildings in downtown Baker City and have been restoring it for new tenants.

As Larry pointed out, Baker City is almost an anomaly these days in America in that this town, with a fabulous view of the snow-capped Cascades, is a fully preserved and functioning small town.  It’s what people who visit Disneyland’s Main Street expect, except that it’s not fabricated.

The Baker City trolley runs through downtown.

The buildings that line Baker City’s Main Street have been there since the late 1800s when Baker City was known as the “Queen City of the Mines.”  At the time, the town’s population exceeded that of either Spokane or Boise.  Miners, cowboys, ranchers and gamblers were drawn to its dance halls and five saloons.  Those who needed a place to stay could pick from any one of the town’s ten hotels.

The Geiser Grand is open for guests and on the National Historic Register.

One of the grandest of these, the Geiser Grand, is still in business and now listed on the National Register of Historic Places.  During our self-guided walking tour of the town, my husband and I wandered in to the lobby of this corner hotel to be greeted with  a decor reminiscent of its glorious days past.  The hotel was only reopened and restored in 1997 after having been shuttered for nearly 30 years.  Today, the front desk clerk says the hotel is a favorite choice of government and business people who come to town.  The hotel offers tours of its interior once a day at 2 p.m. but unfortunately one wasn’t available the day we visited.

In the 1890s the Geiser Grand was a grand place to stay.

I learned from the bartender on duty at the hotel that the people of Baker City made a conscious decision ten to 15 years ago, not to permit the big box discount stores to build in town.  The nearest one of these you’ll find is an hour’s drive away in either Le Grand or Ontario.  As Larry, the architect, explained, Le Grand is Eastern Oregon’s center for the Arts; Ontario is for the shopping and Baker City is all business.

The stores and shops in Baker City’s downtown appear to be thriving and cater to those who live there, not just tourists.  There’s a fabric store, a toy store, a stationers, a couple bookstores, a home store, legal and financial offices, a radiator repair shop, a jeweler’s, a women’s clothing boutique, an eye clinic and a movie theatre–the kind of places you’d expect to find in any American small town not that long ago.  If you’re hungry, as we were, there are plenty of tempting cafes, bakeries, breweries and restaurants from which to choose for whatever suits your appetite.

One of several restaurants and cafes in downtown Baker City is Charley’s Deli.

Don’t miss the town’s Crossroads Carnegie Art Center housed in what was once it’s public library.  In fact, we started our tour of town there.  Formerly a Carnegie Library, designed in the classic colonial style typical of so many Carnegie Libraries, the building was constructed entirely of “black speckled stone” quarried from the area, according to a docent I met there.  The interior was similar, if not exactly, as the one I remembered from my hometown.  The stacks have been removed to create an open gallery for rotating art exhibits, one of which was hanging when we visited.  Downstairs, once occupied by the children’s library, is now an art studio and small space for lectures and special presentations.  It’s well worth spending some time.

The 110-year-old Carnegie Library now serves as the town’s art center.

One of Baker City’s biggest events was brought to our attention by Larry, the architect. The Great Salt Lick , an art auction that occurs the third week of September, benefits Parkinson’s Disease research.  It’s an event befitting the agricultural and ranching center and goes towards a good cause.  Local ranchers and others scour the fields looking for the most creatively licked salt blocks by elk, deer, cows, horses, etc. The blocks are then named, poems are written about them and both are displayed for the auction.  There’s even a sculpture downtown now commemorating this truly unique art form.

The Baker bull sculptre stands on Main Street outside one of the local art galleries.

We stopped for lunch and ended up spending a little more than three enjoyable hours, strolling through downtown, looking at the building, talking with locals and finally finishing with a tasty late lunch at the Lone Pine Cafe on Main. I’d recommend it.

Driving out of town, I spotted what I thought was the official post office, again nearly an exact copy of the same post office in my hometown. But it turned out the building was now private offices; the official post office has moved up the street into a newer, less impressive structure. That was the only disappointment during our brief visit to Baker City.  I’d happily drop in again, eat, visit the Oregon Trail Interpretative Center and maybe even spend the night because Baker City’s an authentic step into the past that’s living in the present.

The old post office was a near duplicate of that in m own hometown.

 

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Race Day Brings Excitement, People, Surprises

Today is unquestionably the biggest day of the year in Bellingham.  An estimated 35,000 people come to watch or participate in the Ski to Sea race.  It’s a seven-leg 93-mile relay race that starts at the top of the 10,000 foot Mount Baker and finishes in Bellingham Bay at Marine Park.  During the course of it, competitors ski, bike, canoe, run and kayak.  It’s likely to be one of most demanding and grueling competitive races in the country.

The race began more than one hundred years ago in 1911 as the Mount Baker Marathon organized by the Mount Baker Club as a way to call attention to the area’s spectacular scenery.  But it was suspended when a racer fell into one of the mountain’s crevasses.  Then, in 1973, it was resurrected by Bellingham’s Chamber of Commerce with 177 people competing on 50 different teams. This year, there are 414 teams entered in the race of eight people  each.

A few years ago, I was one of those.  My team, the Angst-Ridden Mamas, made its first appearance in the big race in 2004.  I had decided that to be fully considered as a Bellinghamster, I needed to do the race at least once.  So I signed up a few of my most active friends, paid our entry fee and started to train.  This is a race that attract not only local and amateur athletes but professionals and Olympians who come to be on teams sponsored by local business.  Ours wasn’t one of those.

Team member Terri early on the morning of the race about to head up with other team members to the mountain where the race begins.

There are several different categories under which a team can enter.  We chose to skirt the ultra-competitve professional categories and opted instead to put ourselves into the Whatcom County Women’s Recreational division.  Not only did we think this gave us our best shot at not coming in last, we thought it best fit the skill level and activity of our team members, who like myself were all mom’s with school-aged kids.

That didn’t mean, however, that we didn’t taken ourselves seriously as competitors.  Each of us were signed up for a leg in the sport that we competed or participated in regularly.  As a kayaker who frequently paddled in Bellingham Bay, I took that, the final leg of the race.  Mine was a five-mile course that started at Bellingham’s marina and ended at Marine Park across the water in the historic section of town known as Fairhaven.   In some ways, I felt I had one of the lighter legs in the race compared to the 8-mile run down Mount Baker or the 18.5 mile canoe paddle on the Nooksack River.

The reality is, that each of the seven legs presents its own set of challenges so that none are a ‘piece of cake’ when it comes down to it.

Connie, on her cross country skis, got us started at 8 a.m. on Mount Baker.

My paddling partner, Pat, who also entered on another team that same year, and I increased the frequency of our kayaking practices out in the Bay and lengthened the amount of time that we were in the water as the weeks leading up to race day drew closer.  We tried to improve our stroke technique and build up the distance we could get on each one.  We usually put in our boats early in the a.m. or late in the day when the water conditions are most optimal and the wind less likely to be a major factor.

On race day, however, you don’t have the luxury of choosing your time and the conditions can be considerably treacherous with wind, waves and currents.  While the first professional and Olympian-level teams often enter the water about 1 p.m., we were left sitting by our kayaks, waiting for our mountain biker to arrive well into the afternoon.  I don’t believe I got the hand-off from Carolyn, my mountain biker that first year, until after 4 p.m.

Waiting to go out on race day is one of the hardest parts of the race

The water was choppy but thankfully without white caps. I must note here that no one is allowed in the water without wearing a certified life vest.  You’re also supposed to verify that you know how to get back on or into your boat should you capsize.  I had both qualifications, as did my co-competitor Pat.  Even with all the official chase and spectator motor boats along the course, there was a possibility that you’d need to be prepared to be in the water.  The first turn around the buoy way out in the bay was especially difficult when the wind, coming from the west this particular year, kept pushing you off-course.

I rounded that buoy giving the other nearby paddler plenty of room.  My heart was thumping pretty hard as I did so.  Just as I completed my turn, one of the racers ahead of me dumped out.   Kayakers are also required to stop and assist if another racer needs help but as one of the observation boats was already headed towards that paddler, I kept on course.

The wind was the biggest factor on the second of the three legs of my course.  It seemed to pick up and kept shoving the bow of my boat back and forth .  My rudder was almost ineffective at countering the force as my boat bounced up and down over the waves like a bucking bronc trying to toss its rider.  One thing I knew was that I didn’t want to wind up in the water.  I wasn’t concerned about passing other paddlers, I just wanted to get to that second buoy, safely go around it and start down the final leg which I thought might be calmer water since it was more protected.

Valerie, our team’s road cycler, after finishing up her 40-mile ride.

I managed to do just that and though the water was still choppy, I no longer was battling the wind as much and could actually start to make some headway towards the final buoy and the stretch to the beach in the park.  I could hear voices from the shore cheering on those of us in the water. I even heard someone who recognized my yellow kayak and me call out my name.

With the hardest part of the race behind me now, I felt a surge of adrenaline in my tiring arms and lateral muscles, from where a kayaker really generates their power.  I could make it.  My team might not place but I we wouldn’t be the last ones in either.  I expected that we would end up about in the middle of pack in our division.  I had passed one other woman who I knew was also in that division.  My friend Pat, was somewhere behind me.

As I neared the last buoy and I could now see and hear the crowd that had collected on the beach to watch the finishing leg.  I pushed harder, grabbed the sides of my kayak with my thighs and put everything I had left into the homestretch.  I wasn’t likely to make up much time on this last approach but I was determined not to lose any more either.

Our team’s canoers Sue and Joanne bring their boat up to the finish line of the canoe leg with a little help from Carolyn, our mountain biker who took over from there.

With a few final strokes, my kayak rammed into the pebbly beach where Boy Scout volunteers were waiting to grab the bow and help stablize the boat so I could get out.  My legs wobbled and quivered as I lifted myself outside of my cockpit and scarmbled up the sloping bank to the big brass bell waiting for me at the finish line.  I grabbed the cord still swinging from the previous competitor and gave the bell one big clang.  I had made it. And I hadn’t capsized or lost my paddle or come in last.

My teammates waiting for me rushed over to give me a group hug. There was Connie who had started us off at 8 a.m. that morning on the cross country ski leg on the mountain, and Kathy, who took over from her for the downhill ski portion.  Terri, who’s now on the Board of Directors for the race, had run down the mountain.  Valerie gave us a big lead during her road biking leg to put Sue and Joanne in good position when they took off in their canoe.  And Carolyn delivered to me the sweaty orange elastic wristband that we were all required to wear when she rolled across the finish line of the mountain biking leg. And our support crew–Marla and Gaye.

In my kayak, giving it my all to push through the water on race day.

I was weary and dehydrated but felt exhilarated by the race, the camraderie of my team and the sense of having accomplished and completed something I wasn’t entirely certain I’d be able to do.  Now, came the best part–the party!

I carted my boat back to the community storage shed then went home to quickly shower off the salt water and sweat before going to the party.  I put on my yellow competitor’s t-shirt, given to each team member registered in the race, and walked around the corner to Vicki’s house where we were joining two other teams and friends for food, drink and fun The parties are what many regard as the best part of the race!

I had barely stepped in the door when my teammates surprised me with the declaration:  “We won third place!!”

Much to our surprise, the Angst Ridden Mamas took third place in our division in the Ski to Sea race in 2004.

“What?” I said in disbelief.

“Yes, we came in third,” one of them explained.

Then someone slipped the bronze-colored medal attached to the blue ribbon over my head. They weren’t kidding.  We had managed to medal in our first race ever.  None of us were expecting it. We all just wanted to finish.  So when the “Angst-Ridden Mamas” was called out by the race officials to come to the podium and receive our medals, only one of our team members was still there to receive them.

The third-place medals taken by our team in a surprise ending to our first race.

In my wildest dreams I hadn’t thought we’d place in a race of 300 teams with 2,400 competitors!  I was so surprised, as were my teammates, and proud of what we had done together for fun and so that I could feel a full-fledged Bellinghamster.

Our team competed in the race the following three years. While we didn’t repeat the glory of our inaugural appearance, we had a lot of fun and pride in participating and giving it our best on this one big day.  As I watch racers come in today, I’ll be thinking of how it felt, how hard it was and what a great time I and my team had being part of a very memorable Memorial Day weekend!

 

 

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Fremont Church Answers Flood Victims’ Prayers

The carillon of the First Baptist Church in Fremont, Neb. plays every hour on the hour during the day.  Chimed music gently floats over the neighboring area and reminds one of a time gone by, when people dressed in their Sunday best strolled down the brick streets lined with big, two-story American Craftsman and Victorian-styled homes nearby, on their way to morning services.

My brother, Richard, and wife Nola, at the church where he is pastor in Fremont, Neb.

The 150-year-old church sits on the corner of C and Fifth Streets and within sight of the Episcopalian, Lutheran and the former Catholic churches.   These churches likely were built about the same time. First Baptist’s founders met and started their church in 1869, just two years after Nebraska became a state, in a private residence down the street that still stands and is the second oldest structure in Fremont today.  Their current red brick Romanesque Revival style church building is their third and was dedicated in 1923.

The sanctuary reflects the simplicity of a time when it was built in 1923.

Inside, the sanctuary is dignified but simple with massive dark wood beams arching up to the ceiling above the two sections of wooden, upholstered pews divided by a center aisle leading up to the altar area. The minister’s pulpit and choir director’s podium stand on either side of the stepped-up altar area with the choir pews directly behind the massive wooden altar with a large blue stained glass window rising behind in the background. The church still has its pipe organ too with the banks of pipes hidden behind arched screens on either side of the altar area.   Crisscrossed leaded stained glass windows on either side of the sanctuary flood the interior with golden light when the sun shines through.

Golden light illuminates the church’s stained glass windows.

But the heart and soul of this small town church isn’t its brick and mortar building, it’s the people.  During the past two months, have been one of the most generous and helpful to those in Fremont and the even smaller, surrounding towns that are still trying to recover from the massive flooding in mid-March.  This happened when the two rivers in the area, the Platte and the Elkhorn, overflowed after sudden warm weather melted piles of a recent snowstorm and rainstorm after rainstorm dropped more water than the land or rivers could absorb.  The area was literally turned into islands, cut off from one another and outside aid by washed out highways and interstates that are just now re-opening.

From the air you can se the flood water that still stands over much of the area.

Led by its minister, my brother, Richard, his church has provided assistance to 30 outlying communities and “scores and scores of people.”  The church’s family center was turned into a major distribution center and filled with supplies once they could be delivered.  Financial aid, to purchase essentials and food or to replace damaged hot water heaters or propane tanks that had been washed away, was given to those who needed it.  On a recent visit, I went with Richard to give gift cards for these items to three flood victims who were grateful to tears.

Recovered propane tanks that were washed away by the flood waters stamd abandoned and await disposal.

 

We also spent part of an afternoon handing out bottles of energy drinks, packages of athletic socks, cans of vegetables and soups, 5 pound bags of rice and boxes of nutrition bars to those who lived in one of the hardest hit areas of Fremont.  These were largely low income Hispanic families whose mobile homes were livable but badly damaged. Five families took refuge in a local Hispanic church, staying in the basement until they were reassured that it was okay to return to their home.

Maricella emerged to lead the relief effort with the Hispanic community.

One from their community, Maricella, began the relief effort for these people by giving out donations from a truck at a corner Mexican food market in town.  When Richard and his church discovered this, they stepped in and offered to contribute supplies and people to help.

Buckets were filled by church funds and distributed to flood victims/

With help from her organizational skills, they put together a plan and a place for people to safely come to get what they needed. “We don’t ask where they come from or if they are citizens, or church members or what political party they belong to. If they need help, we help them,” says Richard.

During my brief visit, Richard drove me around the areas so I could see the impact the flood had made.  In the tiny town of Winslow, where 81 people once lived,now only three households are there.  They still have no running water and electricity, if they have it, is created by portable generators.  One couple is living in their garage. A giant mountain of ruined possessions, including appliances and furniture is piled along one of dirt streets awaiting someone to come pick it up.  As we were surveying it, one of the remaining residents walked up and tossed something else onto the pile. Richard stopped to talk with him.

The man, probably in his late 30s, told him that his house had been deemed ‘livable’ by diaster authorities but that he had four inches of mud in his basement. Insurance would cover some of the damage but not all. He was lucky, in some cases,  insurance companies are refusing claims because the water came into the house through the basements, not the ground floors, my brother explained.  Richard wrote a name and number on his business card and handed it to the man telling him to contact them for assistance.  The man’s eyes teared up as he thanked us and we said good-bye.

Richard offers some words of comfort and suggestions for help to a flood victim.

These are the kind of interactions that have occurred over and over as Richard and his church have encountered flood victims. People needing help, not knowing where to find it in many cases or denied aid for various reasons from outside government and disaster relief agencies, grateful to learn that this little Fremont church is offering to come to their aid however they can.

Richard carries out boxes of supplies from the church to deliver to the flood victims.

Donations have come from the church’s national association and through many outside individuals in addition to the church members themselves. The last of the relief funds was used for the three gift cards.  There’s still a Donate button that takes you to PayPal on the church website.  If more donations come in, they will provide whatever aid remains to done, not asking for proof of insurance, or citizenship or political affiliation or church membership.

The Sunday I was in town, my brother delivered a message to his congregation that included the story of Jesus feeding the multitude 5,000 with five loaves and two fishes.  I’m sure that he chose to relate that particular story because it illustrated so well what his little church itself has done recently to respond to the flood victims.  They have made a difference in the lives most in need and have made their funds and supplies go further than anyone would have thought.

Richard retells the Biblical story of Jesus feeding the 5,000 people to his Sunday congregation.

 

 

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Mother’s Day Memories Are Homemade

I hadn’t planned to write about Mother’s Day for this posting, after all, what more can be said about it?  But then my sister-in-law asked if I would trimming drawings– some in colored-pencil, some with markers–done by the children and teens of her church to give their Mom’s.  As I slid the blade of the paper cutter up and down, along the lines of each child’s message to Mom, a flood of memories came back to me.

I remembered the homemade cards my own sons had done for me, mostly made in their classroom at school, of construction paper and cut-out flowers glued to the fronts with their simple, hand-lettered messages scrawled inside: “I love you. Happy Mother’s Day.” Construction paper doesn’t hold up as well over time as other paper mediums, it crumbles into flakes so I no longer have many, if any, of those lovely greeting cards.  But I can see them in my mind’s eye just as if they had given them to me yesterday.

Handmade cards by children of the church will be given to their Mom’s.

 

More lasting were some of the handcrafted gifts that they created at school for the special day.  In particular, are the little square boxes made of wooden popsicle sticks stacked like a Lincoln log house and glued together in the corners. Each was painted and had a top individually decorated with various shaped pasta pieces.  One is a delicate pink with pieces of shell-shaped macaroni pasted to it. Another is plain wood with rainbow colored twisted pasta pieces, rotelli and macaroni.  The third is golden, again with the rotelli, bow-tie and twisted pasta attached to the top. There’s also a small block of wood on this one, a handle by which the lid can be lifted.  I keep them in a drawer and use them to store my costume jewelry where I see or touch them almost daily.

Among my most treasured items are the homemade boxes by sons made and gave to me on Mother’s Day years ago.

On another Mother’s Day, I received baked clay figurines.  One of my son’s sculpted what appears to be a steagosaurus, the length of my forefinger and painted blue and green and nicely finished with a shiny glaze.  I keep it on a little shelf near by kitchen along with some other collectible figurines that  aren’t nearly as precious to me.

As they grew older, the gifts changed or stopped entirely.  One year, however, I asked for and received from my youngest son, who was writing poetry, if he would write a poem for me.  He did.  It was about dusk falling over New York City, where he now lives.  I placed it in clear glass and it hung, for a time, in his old bedroom at home.  Now I have it among my keepsakes.

Made for me by one of my sons, this tiny steagosaurus has a place on a shelf in my home.

My oldest son, also a fine writer but different, made a card with a photo of a lighthouse, of which he knows I’m fond, that he found on-line and printed a simple, but heartfelt message inside.  This stands on my bookshelf in my studio where it’s easily in view.

Sure, over the years I was given some lovely Mother’s Day presents, a lot of flowers and treated to brunches or dinners out.  But truly, the ones that I treasure are those simple, handmade, hand-crafted or handwritten gifts or cards.  Who knows where the pictures I trimmed this morning will end up?  In some shoe box saved along with other, similar drawings? In a little frame that sits at work on a desk?  Or slipped into a scrapbook with the grade cards and photos from school?  One thing I do know, the will certainly bring a smile, maybe even a tear to each Mom who receives them and maybe, like my own, become an enduring memory of the little one who created it and gave it with love.

 

 

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Believe It or Not, Tulip Fields and Festival Top Unbelievable List

A blog that I follow, Culture Trip, popped up in my e-mail the other day with an article entitled:  15 Unbelievable Places You Probably Never Knew Existed in America . Of course I couldn’t resist the challenge to check it out.  As it turned out, I actually was aware of several of them and had visited four.  To my amusement, topping the list was “Skagit Valley Tulip Fields, Washington.”

The Skagit Valley tulip fields attract photographers, professional and amateurs alike, because of the beautiful settings it provides/

Amusing to me because the tulip fields lie just 20 miles to the south of where I live and have been the subject of my own blog twice.  (Tourists and Locals Love Tulip Time and A Trip to Skagit Valley’s Tulip Farms)  I had already planned to make my re-entry this week to my blog  about the tulip festival (after an absence due to my preoccupation with my duties as Executive Director for CASCADIA International Women’s Film Festival) .  The idea was prompted by a notice that this weekend would be the last for the tulip festival this year.  It’s always a little sad to learn that those beautiful flowers will be clipped and harvested starting tomorrow bringing an end to another display of fields of color.

Visitors are asked to stay out of the fields and park only in designated areas.

I’m sure those who live in the immediate area are a little happy and relieved to see the month-long event come to a close as literally thousands of people are drawn to see the brilliant blooms causing residents to post ‘no parking’ signs along their property and take alternate routes to avoid the traffic back ups leading to and from the nearby freeway.  For visitors, finding a place to park along the roadways becomes a challenge if you opt not to pay the fee asked by those with the lots.  But it all seems worth the time and money spent to admire the planted ribbons of color and masterful landscaped gardens of the various growers.

Mount Baker rises in the distance with bulbs of bright red in the foreground .

Among the most popular of these farm stops is the RoozenGaarde owned by Washington Bulb Company.  The company flourished under the ownership of William Roozen, a Dutch emigrant who purchased the business in 1955 from its original founders and the first bulb growers in the area, Joe Berger and Cornelius Roozekrans. Today, the Washington Bulb Company is the largest tulip-grower in the country with  350 acres of tulips and 70 million cut flowers shipped throughout the U.S. annually.

In addition, the company also plants 500 acres of daffodils (not nearly as much a draw as the tulips), 150 acres of iris and 600 acres of wheat (no one goes to see that.)

Boxfuls of tulips are cut from the fields and shipped throughout the country.

Someone, I can’t recall who, once told me that the tulips cultivated in the Skagit Valley when harvested are shipped to Holland where they are propagated then returned to the U.S.  and marketed as “Dutch” tulips. Whether or not this is true or just legend I don’t know and haven’t, as a good journalist should, followed up to ask company officials.

The flowers were late this year due to an unusually longer cold spell of weather and didn’t come into full flourish until mid-April.  The festival itself, begun in 1984 by the town of Mount Vernon, starts April 1st, regardless.  What began as a three-day event now is a month-long celebration that includes not only self-guided visits to the fields, but a parade, a ‘tulip’ run,’ concerts and a street fair.

Photographing the tulips looking skyward, the cup-like blooms remind me of colorful balloons on strong green strands.

I’ve not seen the figures but I can only imagine what the economic impact of this highly attended annual festival has on the town and the surrounding area as people make the trek from all over the state and British Columbia just to take in the splendorous display by nature and the bulb farmers. Kind of nice to know that in this day and age of virtual reality and high-tech devices that people can still find such enjoyment and pleasure in what nature has to offer.

I didn’t make the trip down to the fields this year, opting instead to satisfy myself with the tulips growing in my own garden.  But it’s likely I will, as in years, past, go again along with the thousands of others because the beauty of the tulip fields of Skagit Valley is still compelling no matter how many times you’ve seen them.

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Food, Family and Fun Times around the Christmas Table

This year for Christmas, I made a photo book for each of my brothers titled:  “Food, Family and Fun Times.”  I was prompted to do so when my younger brother, Brad, asked if I had any of the recipes from my mom and my aunts.  He was looking for one in particular, the red-hot salad that was on our table at nearly every Christmas dinner.   Maybe you know the one I mean:  cherry or strawberry jello combined with applesauce and those pill-sized red-hot candies that are melted before you stir them into the mixture.  You chill it to congeal.  It’s tasty but full of sugar. That’s probably one reason I too liked it so much as a kid.

One of the photos I found while assembling my photo gift book was this one of my Dad slicing green tomatoes for his pie.

Everyone has their own traditions when it comes to Christmas dinners, if your family is fortunate enough to be together for the holiday and can afford this one big feast.  As I assembled the photo book, I searched through my parents’ old photo albums, many of which I have, as well as my own to find photos that I could include in the book.  Originally, I was looking for snapshots taken of my parents and my aunts in their kitchens, preparing some of the foods for which I had the recipe cards.  But I discovered that I had very few of these photos and the ones I had were mostly of my Dad taken just a few years before he died making his favorite picalilli relish or green tomato pie.

One of my Dad’s favorite recipes was this one for the piccalilli relish.

Instead, what I  had were several snapshots taken at the family dinner tables before the meal commenced.  Many were taken on holidays or special occasions, such as birthdays. As I sorted through the years of photos, I studied the dishes placed on the table. Some I could easily recognize, like the fluffy lime green jello salad with pineapple and whipped cream (usually the artificial Cool Whip product) folded in.  Sometimes there was turkey, often ham as the main course.   Mashed potatoes, especially for the Thanksgiving dinner, but at Christmas it often was scalloped potatoes that I recall my Aunt Marie prepared.

There were dinners at the table in the make-shift dining room at my parents’ house at the motel my parents co-owned with my aunt and uncle and where grew up.

The dining room wasn’t large at my parents’ home at the motel where I grew up but the Christmas dinners always took place.

It was a pretty tight squeeze to get everyone seated around my mother’s Duncan Phyfe table, even with the leaves put in.  My mother’s nice china was set out with the centerpiece a little  handcrafted tiered Christmas tree made from red netting material.  Some years my Aunt Oleta and Uncle Joe who had moved from my hometown to another small town 45 minutes away joined us; sometimes it was just my Aunt Marie and Uncle Dale.

Two of my favorite Christmas dinner photos were taken years apart of the family together in the basement of my Aunt Marie and Uncle Dale’s home where we gathered for big celebrations.  The first was made when I was eight-years-old (I can tell by the dress I’m wearing). This photo special because one of my aunt and uncles from California, along with my cousin, is there as well as my aunt and cousin who lived in Hutchinson, Kansas,three hours away in Kansas. My cousins, Kevin, Leland and Debbie–just a baby–are there too with their parents, my Uncle Jiggs and Aunt Bernice.  It’s quite a photo because so seldom was this many of the Crooks clan together at Christmas.  Even though we’re not sitting at the table, I know that the table is set just on the other side of the camera with dinner no doubt waiting for us all.

The family gathers for a Christmas dinner.

The other recalls the another big Christmas gathering the first year I was in college.  (Know that from my hairstyle.) We’re all there again, minus the California and Hutchinson families and plus my youngest brother who is standing beside my uncle and just peeking over the back of one of the heavy, tall, carved oak chairs at the table’s end.  And again, the cousins who lived in town, are there, with my aunt and uncle.  This time, however, the photo is in color, the color film technology having long since become readily available.

Taken years later from the first gathering, the family comes together for another Christmas dinner in my aunt and uncle’s basement.

I carry on the Christmas dinner tradition with my own family. My parents, aunts and uncles with whom we ate have passed on but there’s a new generation who gather round the table that includes my sons and when possible the grown children and now grandchildren of those aunts and uncles.  I still insist on taking a photo of everyone once we’ve all sat down for the holiday dinner so we can relive these priceless moments in the future through the photographic memory.  The foods, the fun and the family time together are the real recipes for what makes the season bright.

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An Illustrating Lunch in a Little Museum

“Can meet for quick lunch at 1:30.  You need to pick place.”  The text from my son, Tim, came in at 11:30 a.m.  I had just enough time to change clothes, walk to the subway and travel from where I was staying in Brooklyn to 63rd and Park in Manhattan where my son was working for the day.

Fortunately I had a little extra time because I accidentally round myself on the wrong train. Luckily, I soon discovered my mistake and was able to get off and switch to another train that delivered me within blocks of my destination.

I walked from the station up Lexington Avenue looking for a restaurant where my son and I might meet to eat.  At 62nd I turned to head over to Park Avenue and then up towards 63rd Avenue.  I saw the building where my son was working but no restaurants or cafes.  So I started back towards Lexington.  I hadn’t quite gotten to Lexington when a sign on a wall caught my eye.  “Maurice Sendak Exhibition and Sale,” it read. The poster featured an illustration I recognized from the Sendak’s classic children’s book, “In the Night Kitchen.”

The main gallery for the Museum of Illustrators is open to the public and free of charge.

Curious, I opened the red door, stepped inside 128 E. 63rd and found myself at the Museum of Illustration.  The museum, founded in 1981, is the home of the Society of Illustrators, established in 1901 to promote the art of illustration.  Its membership has included such illustrious artists as N.C. Wyeth, Maxfield Parrish and Norman Rockwell, among others.  The five-story townhouse was purchased in 1939 by the society for its headquarters and over several years was renovated to create offices for the society, two galleries and a bookstore on its lower floors for special exhibitions and programs and on the third floor a lounge and library for its membership. In the 1960s, that space was converted into a handsome bar and a cozy but airy dining room that, I discovered, is open to the public from noon to 3 p.m. for lunch.

Among the works on display at the museum were illustrations from Sendak’s “The Night Kitchen.”

It was an ideal spot for my lunch with my son and sent him a message to join me there. In the meantime, I walked into the main gallery where the works of illustrator Maurice Sendak were on display.  Sendak is regarded by many as “the most important children’s book artist of the 20th century,” according to the New York Times. “Where the Wild Things Are” and “The Night  Kitchen” were two of the best read books on my sons shelf when they were growing up so it was a treat to see Sendak’s original sketches, watercolors and ink drawings in this special exhibition. More than one hundred pieces hung on the walls representing some of Sendaks’ rarest work from his books, theatre designs and commercial assignments.  Incredibly, all of them were for sale but at prices beyond my pocketbook.

I hadn’t quite finished viewing the entire exhibit when my son came in. Given his limited 30-minute time for lunch, we went directly upstairs to the bistro, took a table and quickly ordered.  I chose the Cobb salad which was fresh and delicious and reasonable.  Halfway through my meal, Tim received an alert on his phone from a friend.

The bistro serves food for lunchers with illustrators’ works on the walls.

“Where’s your meeting?” he asked referring to my appointment that afternoon.  I told him. “You’re not going there,” he said firmly.  The area, he explained, had been placed on ‘lock down’ when pipe bombs, delivered to various locations throughout the city, had been discovered.

Some of Sendak’s rarest works, such as this sketch, were displayed in the museum’s special exhibit.

With my meeting postponed, I suddenly had two free hours. I decided since I was already there, and somewhere safe, to spend the afternoon at the museum and its relaxing bistro. I went back to the Sendak exhibit and finished looking at the Sendak exhibit.  Then I worked my way up the artwork hanging on the stairway wall to the narrow halls of the second floor where illustrations by the members and now in the society’s permanent collection of 2,500 were

The bold, black and white art from comics such as The Vault of Horror was displayed on the museum’s bistro walls. There’s a bit of humor, along with horror in this illustration of a detached arm hanging onto a subway holder.

displayed.   Magazine illustrations, comic books drawings and cartoons was included.

I returned to the third floor bistro so I could have a closer look at the Norman Rockwell mural that permanently hangs over the bar in the lounge and the illustrations from Mad Magazine and E.C. Comics in the Tales from the Crypt special exhibit. A number of the bold, strongly stylized black and white comic book illustrations came from horror titles, appropriate since Halloween was just around the corner.  Weird Fantasy, Weird Science, Vault of Horror, Tales from the Crypt were among the comic book titles represented.  The illustrations were detailed, gory and violent in some.  Their graphic-ness disturbed some when they first appeared but their creators were also pointing out hypocrisy, prejudice and inhumanity.  More than 70 pen and ink drawings from the 1950s by some of the genres most celebrated comic artists were on view. I took my time examining each and reading the extensive commentary written by the curator Rob Pistella.

The red canopy of the museum welcomes visitors to the home of the Society of Illustrators.

The afternoon went by quickly.  Before I knew it, it was time for me to leave for my appointment rescheduled from earlier that day.  My plans had taken a sudden turn and given me the unexpected time to spend in this little unassuming New York museum.  In future trips, I’ll check the museum’s calendar and gladly return to the bistro for another lunch.

 

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Popping In on Pink at FIT

One of the things I love about travel is the surprises it often brings, even when the trip is tightly scheduled, as it was for me on a recent visit to New York City.  In town for both business and personal reasons, I managed to work in some unexpected stops at a couple of places in the city I’d not been previously.

The first came on Tuesday. My day was full of meetings with me running back and forth from Greenwich Village to  the lower West Side on the subway. It started with a lovely lunch meeting at Mary’s Fish Camp in the Village; then I hopped the Number 1 train to my next appointment on 29th and 7th Ave after which I returned to the Village to drop in on a filmmaker at her office in the West Village.

The sign at the top of the stairs leading to the exhibition clearly says it all.

With my day over, I had a couple of hours free before I was to have dinner with my son.  I had learned about an exhibit at the Fashion Institute of Technology called quite simply: “Pink.” In all the years that I’ve been to New York, I had never gone to this little museum, located  on 7th Avenue and at 27th street on the college’s block long campus. FIT is part of the State University of New York‘s system and focuses on those disciplines related to the fashion industry.

The Ralph Lauren gown worn by actress Gwyneth Paltrow to the 1999 Academy Awards was intended to recall Grace Kelly. It is one of the items displayed in the Pink exhibit at FIT.

The special exhibit, “Pink: The History of a Pretty, Punk, Powerful Color,” explores the changing significance of the color pink in fashion over the past three centuries.  It’s eye-popping displays of mannequins dressed in clothing from the 18th to the mid-20th century are elegant, colorful, curious and brilliant.  Represented in the 80 ensembles is everything from glamorous gowns to hip-hop influenced threads.  Children’s clothing from the past are presented as are contemporary men’s and women’s suits, dresses, pants and lingerie.  From high fashion to the everyday, it’s all included in this special exhibit.

You’ll see designs by such contemporary fashion industry giants as Valentino, Gucci, Dior and Yves Saint Laurent. And there are styles by the more avant-garde such as the Japanese designer,  Rei Kawakubo.  It’s quite a treat to see some of these styles up close and so beautifully shown.

Pink was a fashionable color for men in the 18th century as well as for women.

Hot pink, pastel pink, pale pink, bright pink. Every imaginable shade of the color can be found in the exhibit.  “Pink” curator Valerie Steele also places into perspective the color culturally and explores how it came to be so strongly gender associated with women. That was not always the case. In fact, you learn in the exhibit that pink had neither a feminine nor masculine connotation in the 18th century but rather was associated with “elegance, novelty and aristocratic splendor.”  Perhaps one explanation for this is because the dye used to produce the brighter shades of the color popular at the time was newly discovered and came from Brazil, undoubtedly making it an expensive and limited to only those who could afford it.

The idea that pink was for girls didn’t taken hold until the early 1900s and was further reinforced with the highly publicized purchase in the 1920s by railroad tycoon Henry Huntington of artist Thomas Gainsborough‘s renowned paintings, “The Blue Boy” and “Pinkie” by Thomas Lawrence.  In the 1950s, according to the curator’s commentary, that the stereotype solidified.  But the exhibit also explores how other non-Western cultures have embraced and continue to use the color in dressing both sexes.

Not only is outerwear on display but historic pink undergarments, such as this corset, is included.

I spent nearly two hours browsing through and photographing the exhibit. Pink is, after all, one of my favorite colors (as long as it’s a warmer toned pink).  I have had and still have a lot of pink in my wardrobe. When I was a teenager, my bedroom walls were painted a hot pink.  So the FIT show was  an appropriate stop for me to make.

The clothing in FIT’s exhibit is handsomely and tastefully lit against black backgrounds that make the clothing and the color stand out.  If you find yourself headed to New York between now and Jan. 5,  plan to visit the FIT exhibit and museum.  Admission is free, it’s fairly easy to get to by public transit and it’s certainly not an exhibit that you’re likely to find elsewhere.

As for my other ‘surprises’ from this trip, you’ll need to wait for an upcoming blog.

A luxurious pink bodice from one of the gowns displayed embellished with a bouquet of silk flowers.
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Crab Fishing Outing Ends Summer Season

With the arrival of autumn, I’m taking this opportunity to look back at the summer which seems to have gone by all too quickly.

One of the summer pleasures of living in the coastal region of the Pacific Northwest in the U.S. is crab season.  The waters of the Salish Sea are typically abundant with delectable Dungeness crab, yours for the taking with a crab pot, some bait, and a valid crab license from Washington Fish and Wildlife Department. It also helps to have friends with a boat to carry you out to the deeper waters where these shellfish tend to congregate.

When looking for a good spot for your crab pots it helps to have a map with the water depths.

I am lucky to have such friends and was invited (okay I ‘fished’ for the invitation). to go along with them one summer Sunday ‘crabbing’ in the bay.  The thought of coming home with a bucket of Dungeness for dinner set me in action. I hopped out of bed early to meet them at the boat launch by 7 a.m. I grabbed my plastic bucket, my camera, a thermal bag with packed snacks and a bottle of water and headed out the door. Low tide had just passed; the water was flat and smooth.  It would have perfect for kayaking if the skies hadn’t been so smoke-filled from the fires burning in British Columbia to the north. The sun was a ball of red, as seen through the smokey cover.

We had the bay to ourselves as we headed out towards nearby Portage Island where my friend Roger’s brother reported catching his limit of crab the day before.  Each license holder in Washington is entitled to five crabs. They must be males and measure more than six and three-quarters inches across the back of their shell from point to point. Roger pointed the bow of the boat towards the West and we sped off.

With chicken used as bait and placed in a red plastic bag, friends Tina and Roger lower the crab pot over the side of the boat.

Portage Island is a small, uninhabited island located just off the Lummi Peninsula, north of Bellingham, WA.  and is part of the Lummi Nation‘s Tribal Lands. During very low tides, it is possible to walk from the island to the peninsula, which is how. it is said, the cattle that roam free on the island arrived.  People too are welcome on the island for day trips to explore its 1,400 square miles and observe the bird and wildlife that live there.

As we approached the southeastern point of Portage, Roger slowed the boat and switched on the radar. We were looking for a spot that was ideally 65 feet for the crab pots.  We bobbed around for a while until we found a spot closer to Hale’s Passage that was deep enough. Roger cut the engine and lifted one of the two rectangular metal cage pots onto the side of the boat. Tina, his wife and my friend, opened the bag of chicken parts that had been soaked in sardine liquid to make the bait more attractive to the crabs.

After a couple of hours, Roger pulls up a crab pot to check the take.

The pot was tossed overboard, along with the buoys attached to them so that we could find then later.  Roger steered the boat out further looking for another possible location. After cruising around a bit, we settled on a spot that was about 70 feet deep and threw the second crab pot, loaded with the chicken bait into the water.  Now we had only to relax and wait an hour before we would haul up the pots and pull out our fresh shellfish.

Tina turned on some rock music on the player as we kicked back, munched on our snacks and enjoyed the cooler temperatures brought by the smoke-covered skies. Part of the ritual of crabbing is this waiting time filled with talking, laughing and eating. Before we knew it, an hour had passed.  Roger started the boat and we motored back to our first crab pot.

Only crabs that measure to the legal size and are male may be kept. All others must be returned to the sea.

Roger attached the handle to the pulley and began to crank in the metal wire pot. All three of us were anxious to see just how many of the shelled creatures we’d caught.  Water streamed from the pot as it lifted out of the water. About half a dozen crabs sat in the bottom. With the pot balanced on the side of the boat, Roger lifted them out of the pot one by one, their large claws pinching as he did. Carefully, he rotated each one so that Tina could measure each one.  Disappointed, we tossed one after another back as they weren’t large enough to keep. By the end, we had one keeper.

But we weren’t discouraged, we still had another pot to check. We moved the boat over to that buoy and repeated the process. Unfortunately, none of the crabs in that pot measured up.

When the water is boiling, it’s time to lower the day’s catch into the pot.

Not dissuaded, Tina loaded the pots with more chicken and we pitched them overboard once again to give it a second chance.  And again we waited patiently another hour with our hopes still high that we’d haul in a mess of the tasty crustaceans. When the hour had passed, we pulled up the pots once again.

Our luck was slightly better this second time but not overwhelmingly so.  Although there were several crabs in each of the two pots, only three were large enough for us to take home.  By now, we had invested nearly four hours of the day to this adventure and though we had started out early, it was already nearly noon.  We still had to get back to shore, hose off and clean the boat, take the crab back to Tina and Roger’s house where we’d cook them in a pot of boiling water (the worst part of the process for me) so that they’d be ready to eat later that day.

That evening, we sat down to our separate dinners to savor our catch of the day. To say that there’s nothing like a mouthful of that sweet, white and flaky crab meat taken fresh from the water that very day is an understatement. I’ve now lived in the Pacific Northwest for a little more than 20 years and I still am grateful and excited whenever I have a meal made of food caught, grown and cooked right from the waters and farm fields of my surrounding area. There truly is nothing that compares to the taste.

For me, catching and eating fresh crab is now part of my summer. I can not imagine a summer without it.  Crab season lingers into the fall as the leaves begin to turn color but the activity is mostly something I  now associate with summer. And although autumn is clearly here,  and gives me something to look forward to for next summer.

 

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Solomon’s Story Pole Is Towering Artistic Achievement

“We are all one. No matter whether the color of our skin is brown, black, white, red, yellow; no matter whether we are Christian, Jewish, Muslim, Buddhist, atheist; no matter where we come from. We are all one,” said artist and former timber businessman David Syre welcoming guests to the dedication of  the 38-foot story pole he commissioned to stand on his Whatcom County farm.

Lummi carver Felix Solomon speaks to those gathered at the dedication ceremony of his most recent commissioned piece.

I was fortunate to have been among the 100 who attended that recent rainy day having been invited by a friend who was the guest of the artist, Lummi carver Felix Solomon.  I had met Solomon just the week prior at his home where he graciously took me out to his workshop where the totem lay awaiting transport to its new home.  The 35-foot cedar log had been transformed by Solomon over the past several months from a rough piece of timber into a majestic and colorful totem.  Solomon had been given little guidance by the commissioning Syre, leaving it up to the master carver to come up with the figures and design for the pole.

The various tools of carver Felix Solomon used when working on one of his projects await their master’s hand.

Solomon drew on his familiarity with the work of carver Joseph Hillaire,  in carving this pole, to carve both sides of the pole instead of just one. Hillaire (1894-1967) is regarded as one of the greatest Coast Salish artists and carvers of the 21st century.  His work was extensive but may be best remembered for his two friendship poles carved for the 1962 Seattle World’s Fair, one of which went to Kobe, Japan where it was placed. Hillaire and a generation of Lummi carvers ahead of him instituted what is known as ‘story poles,’ according to Seattle Art Museum curator Barbara Bretherton. The poles are tall like totem poles but they tell a story.

Topping the story pole is an eagle with its wings outstretched.

Solomon’s story pole represents “The Creation of Life Story.” At the top of the pole is the eagle, the being that flies closest to the spirit world but is still connected to the earth, according to Solomon.  The moon in its talons represent feminine energy and the reproductive cycles.

Directly below are placed the faces of five animals found on Mount Baker, the Nooksack River and in the Salish Sea–the wolf, the mountain goat, the bear, the cougar and the sea wolf or Orca.

Next comes the design which Solomon received special permission to use in this pole, the Sun Dog, which was on the door of the Lummi Nation chief when they signed the Treaty of 1855 with the United States. In that treaty, the Lummi relinquished much of their native homeland but they retained the rights to the natural resources found there, specifically the salmon, and have seen themselves as protectors of these resources ever since.  It is one reason the Lummi Nation has been a key activist in local, state and regional environmental issues.

The River Woman holds a basket of life in her hands.

Below the Sun Dog design is a concave oval that Solomon says represents the Lummi elders and ancestors.  The crescents on the side are the voices that pass down the tribe’s stories from one generation to

another.

On the back side of the pole are rain clouds that pour into the Nooksack River with the River Woman holding a basket of life in her hands.  At the bottom can be seen spirit dancers, two-legged humans who were the last to be created.

Solomon has received considerable recognition for his carvings and creations.  One of his ‘story poles’ is located in Bellingham’s International Airport; another can be found in the Silver Reef casino in Ferndale,  Wa.  The National Museum of the American Indian at the Smithsonian in Washington D.C. honored him for his canoe carvings.  But the Creation of Life Story pole is the largest piece he’s done to date.

Carver Felix Solomon with his completed story pole in his workshop only a week before the pole was dedicated.

In order to accommodate the 39-foot cedar log from which the totem was carved, Solomon had to expand his workshop by building on an addition.  The massive totem took Solomon months to hand carve once he worked out the design.  It had to be specially engineering with hidden reinforcements from the bottom so that it would stand securely once positioned into place.  Just sliding the pole from Solomon’s workshop and hoisting it carefully onto a flat-bed truck for transport to the Syre farm was in itself an engineering feat. Solomon gratefully recognized those responsible for that part of the project during the dedication ceremony.

Originally, the ceremony had been planned to take place around the totem. But  rain forced organizers to move it to under the tent that had been erected for the grilled salmon luncheon that followed. Before the ceremonies began, Beverly Cagey brushed the pole with branches of cedar, blessing it while her husband, Jack and their grandson, Hank, accompanied with singing a chant and drumming.

Beverly Cagey brushes branches of cedar over the story pole prior to the dedication ceremony.

Guests gathered beneath the big tent, just steps away from the log cabin that stood close by the Nooksack River.  Nooksack tribal drummers led the small procession that included both the artist and the patron down the short path from the cabin to the tent where Darrell Hillaire, Lummi Nation elder, stood at the microphone waiting to introduce  the speakers and witnesses and welcome the day’s guests.

Lummi Nation member Darrell Hillaire welcome the Nooksack drummers, the host and artist in the opening processional.

Syre spoke and told how he viewed this story pole as one of unification.  Solomon thanked him for the opportunity, gave a brief description of his work on the pole and recognized those on his team who had assisted during the process. Then, as is tradition, Solomon presented the four ‘witnesses’ he had designated for that day with ceremonial blankets which each of them draped over one shoulder for their turn to speak about what they had ‘witnessed’ that day.  Among them was a childhood friend of the host, a Nooksack tribal member, who remembered the times the two had together playing along the river and in the woods on the farms where they grew up.  They had not seen each other in nearly 50 years and had, as

Jack Cagey, foreground, awaits his turn to speak as a witness as host David Syre welcomes the guests.

the friend put it, “a lot of catching up to do.”

Jack Cagey, a Lummi Nation elder, stood from his place at the table where I was sitting and spoke of the need for greater communication between generations, for the need to talk face-to-face and not just through electronic devices.  Another of the witnesses, Candy Wilson, read a poem that I found particularly moving, the name of which I unfortunately missed in her introduction. Their words were eloquent, appropriate and heartfelt. Clearly they were speaking about more than just the pole; they were making a case of for humanity and the practice of it towards one another.

The dedication ceremony program with a description of the story pole, an art piece by Syre along with cedar and feather were set at each place.

Ninety-minutes later, the ceremony drew to a close and everyone was invited, elders first, to share in the grilled salmon luncheon that had been prepared especially for the day. The meal is as much a part of these ceremonies as the ceremony itself because it gives time for those who gathered that day to share not only food with one another with stories across the table.

Solomon’s story pole towers over those who came to the dedication ceremony on a rainy Pacific Northwest Day.

By the end, the rain that had steadily fallen had stopped so that people could walk across the field to where the story pole towered and admire Solomon’s finished work.  Indeed, it is a commanding and colorful piece. It is one of Solomon’s finest accomplishments to date. The public isn’t likely to see this fine story pole unless they catch a glimpse of the eagle’s upward extended wings from the country road that passes close by the pole’s location., ut it’s sure to stand for a very long time on this private property as a powerful reminder that, in the words of Syre: “We are all one.”

 

 

 

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Tour de Whatcom is Tour de Force

Bellingham is a town that loves its bicycles but even more of them than usual could be found all over the surrounding streets and roads this last Saturday when hundreds of cyclists pedaled between 22 to 100 miles in the Tour de Whatcom.  The popular charity biking event is in its 13th year and this year benefited the Whatcom Mountain Bike Coalition.

The back of a cyclists racing jersey says it all.

It’s a colorful display of bicycles and cyclists as they whip across county roads, past lakes, through farm country, by rivers and along beaches with views of snow-capped Mount Baker rising in the distance all the way. The tour started and ended at the award-winning Boundary Bay Brewery in downtown Bellingham located directly across from the Bellingham Farmers’ Market which was also in full swing yesterday.  In fact, that’s why I was there. I spent two hours yesterday distributing postcards to people to promote the upcoming July 26th outdoor adventure film evening–Sports Shorts–being presented by CASCADIA International Women’s Film Festival at Fairhaven’s Village Green.

The aluminum arch of the Tour de Whatcom’s finish line spanned across the street from the Farmers’ Market Railroad Depot buildings.

Afterwards, I wandered over the market and Boundary Bay for a closer look at the activity.  Boundary Bay’s beer garden was filling up with cyclists who had just come in and were thirsty and hungry.  Outside, a long line of cyclists strung down the street as they checked in their bikes into the secured bike parking lot set up in the street. Other muscle-weary cyclists were receiving  rubdowns under the purple canopy of the Massage Envy tent.  And some, as did my friend Audrey who rode the 22-mile route in the tour, mingled with the marketgoers to have a bite of lunch there.

Following a long ride, the massage tent was a popular place.

The entire place was bubbling with bikers, beer and booths full of farm fresh food and crafts.  It brought back memories for me of the summer my family and I spent a month in Bellingham prior to deciding to move here permanently.

We had rented a house from friends (long before VRBO or Air BnB existed) for the month of August. It gave us a chance to explore the area and experience it as if we lived here.  One Saturday, we strolled down to the historic Fairhaven area where we discovered a road bike race was about to get underway.  At that time, the race–the Old Fairhaven Bicycle Race–began on Fairhaven’s main street and the course tracked up and down the hilly Fairhaven area to eventually finish a little further down the street from where it started.

Cyclists line up in the Fairhaven Bicycle Race.

We nabbed a ringside seat with two of our sons at an outdoor table in front of the Colophon Cafe. The Colophon was favorite spot with my sons because of its ice cream counter where big scoops of the cold dairy delight were heaped on top of waffle cones for a dollar or so. The boys ordered peanut butter and jelly sandwiches, my husband and I had bowls of clam chowder.  We ate and watched as the nearly 20 riders whizzed around the corners.  Other race watchers stood behind or sat upon the hay bales that had been places along the street for the purpose of blocking off the streets and marking the course.  It was truly a fun afternoon and one that I’ve long remembered.  The photos I took that day preserve the day not only for me but for my sons who have long since grown up.

Racers round the corner while competing in the Old Fairhaven Bicycle Race.
Sporting his new helmet, my son readies to take off on his own bike ride. Notice the training wheels on the rear.

That was the same summer too, that my oldest son, Matthew, learned to ride a bike.  Neither I nor my husband recall now where we got the bike, but unlike in Los Angeles where we lived, the sidewalks of Bellingham’s South Hill proved a great place for him to hop on and take off.  He wasn’t a particularly coordinated kid when it came to physical activities but once he figured out how the chain drive of the bike worked, riding it was no problem.  He returned to L.A. ready to ride with his friends and we returned to L.A. convinced, in part by community events like the bike race, that we wanted to make Bellingham our new home.

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The Sounds of Silver

Summer is a reason in itself to celebrate in the Pacific Northwest but this summer, there’s one more thing to celebrate and that’s the silver anniversary of the Bellingham Festival of Music.

I’ve written before here about the festival which happens every July since I moved from Los Angeles to Bellingham.  In fact, the festival is one of the reasons that brought me and my family to Bellingham.  Although I didn’t realize, the festival at the time we first began to consider and explore this area was only three years old.  As the three visits we made before deciding to relocate here were all in August, we missed the festival but became aware of it.

Maestro Michael Palmer greets orchestra concertmaster Richard Roberts at the opening concert of the festival’s 25th season.

Soon after settling in, we began to buy tickets to attend some of the concerts and we’ve been faithful festivalgoers ever since.  Through the years, we’ve heard some amazing music performed by an orchestra with top-notch players from major orchestras around the country, including the N.Y. Philharmonic, the L.A. Philharmonic, the Boston Symphony, the Atlanta Symphony, the Cincinnati Symphony and the Montreal Symphony.  And the guest artists who have soloed with them are world-class.  Sometimes it’s hard to believe that I’m sitting here in my small community listening to the kind of classical concerts that you usually only find in large, metropolitan cities.

A map marking all the cities from where come the musicians that make-up the festival orchestra.

For any music festival to have survived 25 years is an accomplishment, let alone one that thrives in a community of 100,000 (and less when it first began) and now runs on all volunteer help.  Much credit must be given to the festival’s hard-working boards who  put in hours and hours of time all year to bring the festival together.

A salute must also be given to the man who’s been the artistic director and conductor since the beginning, Michael Palmer.  Palmer, who I’ve come to know in recent years, has a gift for pulling together musicians, most of whom only play together once a year, to present tight, strong performances of classical favorites as well as contemporary new pieces.  It’s a strenuous and demanding job in the three short weeks of the festival’s duration.

Artistic director Michael Palmer, left, confers with composer Aaron Jay Kernis whose “Symphony No. 4, ‘Chromelodeon'” was given it’s West Coast premiere at this year’s festival.

Of course without such talented and professional musicians, the festival would not nearly be the quality it is.  Sitting among the ranks of players are the first oboist for the Boston Symphony, the first violist of the Cincinnati Symphony, the first clarinet and flutist from Atlanta’s Symphony and the first bassist from Seattle’s Symphony, to mention but a few.

This year, much to my delight, also joining the violin section is a young woman named Rachel Frankenfeld Charbel who grew up in Bellingham, played in the Sehome High School orchestra before going off to college at the University of Texas in Austin to study music.  She was among one of my sons’ closest friends as a kid and now plays with the Cincinnati Symphony.  It makes the festival’s 25th anniversary particularly special to those of who have watched her mature into the fine musician she now is.

Violinist Rachel Frankenfeld Charbel grew up playing in Bellingham and is now a member of the festival orchestra.

Also special to Bellinghamsters is the Calidore String Quartet that has become recurring guest artists at the festival.  This young, gifted ensemble has emerged as a major chamber group winning awards, prizes and recognition throughout the world.  To have them return every year for the festival is a special treat for all of us.  The violist also happens to also be a Bellingham native and coincidentally, a classmate of Charbel’s.

Music Festival chair Karen Berry, right, with two members of the Calidore String Quartet, cellist Estelle Choi and violinist Jeffrey Myers.

Only three concerts remain in this year’s 25th anniversary season; one this evening with guest violinist Simone Porter playing Prokofiev’s “Violin Concert No. 1 in D Major;” a free chamber concert on July 18 at the Whatcom Museum of History and Art and the final closing concert on July 20 featuring the festival chorus singing Poulenc’s “Gloria” with the orchestra.  If you’re in close range, I encourage you to attend one of these and if not this year, plan to go next year and celebrate yet another season with the Bellingham Festival of Music.

 

 

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Lummi Nation’s Stommish Celebrates Veterans and Traditions

Americans think of Veteran’s Day as occurring on November 11 but tribal members of Lummi Nation honored the service, bravery and commitment of their veterans this past weekend during the tribe’s 72nd annual Stommish celebration.  It’s a three-day event that takes place on Lummi Nation’s Stommish Grounds located just a 30-minute drive north of Bellingham.  The waterfront festival is open to everyone and draws people from throughout the region.

Stommish means ‘warrior’ in the Halkomelem language, the language of the Lummi and Cowichan tribal people. It began in 1946 when tribal members Edith and Victor Jones planned a community celebration to honor and welcome home their two sons, Bill and Stanley Solomon, from World War II. Of the 720 Lummi members in 1946, 104 served in the armed forces and 101 of them returned safely home to return to their Lummi way of life.  Today, the event has become an annual festival that not only recognizes those veterans, but also one that traditional dancing, games, food and canoe races.   Stommish starts, however, with an opening ceremony during which the veterans who are introduced to the assembled crowd.

Afterwards, celebrants line the beach along the stretch of Hale’s Passage to watch as teams of canoers compete.  The sleek, cedar canoes are paddled by teams of twos and sixes, with some racers as young a 10-years-old, down one length of the course and back again while those onshore cheer them on.  The boats are beautiful on the blue water and bright summer sun.  The paddlers are strong and at the race’s end dripping with sweat from the effort.

Teams compete in the cedar canoe race in the waters where tribal ancestors have paddled for generations.

In another section of the grounds people participate and watch the traditional Sal Hal Bone Game. Sal Hal is an old Native American Pacific Coast guessing and gambling game.  It involves teams of players who face each and must correctly guess which hand holds the unmarked bone.  Correct guesses or losses are tallied with a set of sticks.  The team or person with the most sticks at the end of the game wins and collects the money that has been wagered.  The game is accompanied by traditional song and instruments performed by the team hiding the bones in their hands. It all makes for good-spirited fun and, for the winning teams, a pocketful of cash.

A set of sticks is used to keep track of the wins and losses of the team guessing during the traditional Sla Hal Bone Game.
A tribal dancer performs.

No celebration is complete without dancing. Lummi tribal members wearing traditional costumes performed a number of dances for those who gathered around an artificial grass carpet.  Dancers of all ages entertained while those of us on the sidelines watched or,  during one number, joined in as participants.

Throughout the day, people feast on a variety of food sold by the different vendors set up on the Stommish Grounds. The most popular of all, however, was the delicious $10 salmon filet plate served with side dishes and the large, fresh cooked crab so tasty, juicy and caught right from the bay beyond the festival grounds.  People, like me, enjoyed the seafood while viewing the canoe races taking place.

Fresh cooked crab caught right from the waters beyond the Stommish Grounds was a treat for hungry attendees.

Under the canopies of booths set up around the grounds, people demonstrated and sold Native American arts, handicrafts and souvenirs. Handcrafted woven reed hats, made in the traditional way and skirted style, was one of the many items for sale. Bold, geometric Native designs decorated the t-shirts  and hooded sweatshirts that could also be purchased.  Cruising through the various tents provided an opportunity for a little holiday or birthday gift shopping.  I did both!

The day’s activities also included an old-fashioned Princess and Warrior crowning, a cute baby contest, oldest Veteran recognition and a small carnival with rides for kids.  It’s a festival full of family oriented fun that, judging by those attending this past weekend, was enjoyed by everyone.

Stommish starts at noon and lasts well late into the long summer day.  Campers, both in tents and recreational vehicles, are packed tightly into the designated overnight area on the grounds. Parking can be challenging so car-pooling is a good idea.  The event was a great way to spend a summer weekend day with the friends and families of this Native Nation, to become familiar with this proud tribe’s traditions and to join tribal members in saluting and thanking those who served in the United States military and returned. Hy’ shqe! (Thank you!)

A child checks out the curious but probably significant arrangement of found items placed on the floor of the beach shelter.

You can view more of my Stommish day images in my blog portfolio.

 

 

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Culinary Matriarch Commanded Legendary NOLA Restaurant

Ella Brennan was a  giant among restaurateurs in New Orleans as was her reputation for establishing and running one of this country’s most renowned culinary institutions, Commander’s PalaceShe died this past week at age 92 leaving her daughter, Ti, and niece, Lally, to carry on the reputation of operating  the prestigious restaurant located on the corner of Washington and Coliseum in the  Garden District of New Orleans.

Whether you arrive by carriage or car, Commander’s Palace is ready to serve you.

Indeed, Commander’s has become part of my own tradition since my husband and I  started going to New Orleans 17 years ago.  We originally went to celebrate our 25th wedding anniversary.  We’ve returned year after year for a winter-break.  Usually, we only stay a week, but it’s been enough time for us to become very familiar with the city and its outlying area, to make some very good friends and to sample lots of good food all over the city in its too many to mention restaurants.

The mosaic seal in the lobby at Commander’s Palace notes the year it was established.

Every year, however, Commander’s is at the top of our list as the way we start our visit.  It has become our personal tradition to make the Garden District restaurant our first stop for Sunday jazz brunch.  Without brunch at Commander’s I honestly don’t know how to begin our trip.  There have been a couple of years when I failed to phone early enough (a month in advance is advised) to book our table and no reservation was available.  Fortunately, Jimmy, the reservation agent who I’ve come to know over the years, told me to call back a few days before our given Sunday because often there will be an opening.  When I did, as I had to do this year, we’ve managed to get in.  I have been so thankful for this accommodation on these times that I now take a little box of chocolates for Jimmy in gratitude.

Ti Martin, one of the restaurant owners, right, in a photo with me during one of my visits.

What makes Commander’s so special is not only the delicious Creole-style food served on its menu (recently updated by current executive chef Tory McPhail who hails from nearby Ferndale, WA.), but its impeccable service, lovely surroundings, fun, relaxing atmosphere, the jazz music played while you eat and Southern hospitality shown by its owners, Ella, her sister Dottie, and the aforementioned Ti and Lally.  Whenever Ti and Lally are in-house, they tend to alternate shifts, they make it a point to walk through their dining rooms to greet and check on their customers, whether or not they know them.

Birthdays celebrants at Commander’s are presented with a chef’s hat along with your dessert, like this bread pudding soufflé.

I’ve had wonderful conversations with them both over the years, had the chance to introduce them to friends who’ve joined us for the meal and to tell them time and again how much I love their restaurant.  I have celebrated anniversaries, birthdays and Carnival with friends and family there, just as many New Orleanians do.  I’ve seen parties of grandmothers, mothers and daughters who’ve come in after church, all wearing a single strand of pearls, to celebrate a special occasion.  I’ve enjoyed overhearing excited chats by tables of tourists experiencing Commanders for the first time.  And I’ve had the immense pleasure of taking my own friends and family their for their first meal.

Ella Brennan’s restaurant is more than just a place to eat fine food, it’s a place where these sort of traditions are established and carried on by generations of patrons, for whom, like myself, life or a visit in New Orleans is unheard of without Commander’s.

Reopening after Hurricane Katrina, Commander’s hung out its ‘Now Hiring’ sign. My friend, Mary Lou and I were among the first diners that year.

After Hurricane Katrina hit in 2005, leaving considerable damage to Commander’s as well as the rest of the Garden District, largely due to the high force winds, people wondered if Commander’s would re-open.  For the Brennan ladies in charge, there apparently was no question.  They took the disaster as an opportunity to rebuild and renovate. It took them more than a year.

I walked by the winter after the storm to find it all boarded up.  But then I returned the following year when it was back in business, listened to Lally as she described to me the full extent of the restoration and relished in the fact that it, like New Orleans, was resilient and determined to get back on its feet, despite a lack of support from some in government.  That was the year that I talked with the group of women sitting at the table next to me, heard their ‘storm stories’ and learned that their Episcopal church had been the recipient of recovery funds from the Episcopalian diocese in Washington state.  Their gratitude was touching.

Typically, I ask for a table in the dining area overlooking Commander’s tree-covered courtyard because I feel more like a ‘local’ there and enjoy sitting at eye-level with the big, gnarly branches of the Southern oak that stretches over it.  The chairs are cushioned and tables are arranged with plenty of room between for the jazz trios that play during brunch (one usually cruises downstairs while a second plays upstairs) to maneuver their instruments, including a stand-up bass, between to play requests. Every now and then, diners are coaxed into a joining a ‘second line’to wave their napkins as they wind through the dining room.

Brunch guests join the restaurant’s jazz trio in an impromptu second line parade through the dining room.

The menu is extensive and all of it tasty.  I tend to order the breakfast entrees, rather than the luncheon selections, whenever we go but had the pecan-crusted gulf fish this year instead of my favorite Cochon de Lait Eggs Benedict.  Of course you must order a ‘starter’ to begin–the turtle soup is always popular as is the gumbo but I usually opt for a seasonal salad, quite often topped with fresh, local strawberries.  I always save room for dessert because Commander’s creole bread pudding soufflé with whiskey cream sauce is not to be missed!  It’s a once a year splurge that I’m not willing to pass up.  And to drink, a Bloody Mary or Mimosa followed by chicory coffee for those, unlike me, who consume coffee.

Commander’s courtyard and the trumpet on break during a Sunday brunch.

While the food is wonderful, it’s the little touches that make the meal even more memorable–fresh, crusty French bread laid on the table in a wrapped white linen napkin nearly as soon as you sit down; bus boys and girls who refill your water the instant the level drops much below two-thirds of a glass; the simultaneous serving of each course by the black and white attired wait staff; the cheery, welcome by the maitre d’ the minute you step in the door and of course the personal table visits by the owners.

After eating, I enjoy strolling through the rest of the restaurant, including a stop in the spacious and sparkling clean kitchen (the swinging doors leading into it are labeled “Yes” and “No”) where you can watch the amazing cook staff in action.  There is even a table in the kitchen where diners can sit and watch the show if you reserve it.

Diners are welcome and can even eat in the kitchen where you can watch the cook staff in action.

If it’s Carnival season, as it was this year when I was in town, you’re invited to go watch the parades moving along St. Charles Street just a few blocks away and welcome to return to Commander’s for the toilet should the need arise.  Or, if not, we wander through the historic neighborhood, admiring the elegant, old homes there, which include Miss Brennan’s herself located right next door to the restaurant.  If someone is with us who has never visited the city before, we walk through the Lafayette Cemetery No. 1, across the street, the oldest city-operated cemetery where the tombs are above-ground and the statuary and inscriptions represent New Orleans’ rich history.

The elegant dining room on the main floor of Commander’s Palace as viewed through the glass window in the restaurant’s lobby.

For me, Commander’s is the consummate culinary experience with outstanding food, unsurpassed service and Southern hospitality at its finest. These are the qualities that Ella Brennan insisted be carried out in her beloved restaurant. They are standards to which other eating establishments throughout the U.S. have aspired to achieve as a result. Whether or not you’ve ever been to Commander’s it’s possible that you’ve eaten somewhere that has been influenced by her example.

If you’ve not yet been to the New Orleans restaurant, I hope you’ll consider making it part of your visit when you go.  But be forewarned, it still maintains a dress code that is enforced although it’s been relaxed some in recent years.  I guarantee it will be a culinary experience you’ll not forget and it might become, as it has for us, a new tradition.

 

 

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Totem Memorializes Local Tragedy

On this weekend in the U.S., people are honoring the memories of the country’s military  who died in action. But another memorial is on my mind today prompted by an article that appeared the other day in the local newspaper.  That is the beautiful totem pole memorial that stood along the trail of Whatcom Creek on the edgeof Whatcom Falls Park in our city.

The healing totem was especially beautiful in the spring when the trees surrounding it flowered.

Sadly, the totem was recently removed, I read in the Bellingham Herald after someone vandalized and ‘tagged’ the pole with graffiti.  Not long ago, a friend of mine had told me that the box that sat atop the pole, was missing and wondered why.  Now the entire pole and the two carved wooden benches that sat beside it are gone after city workers removed them and placed them in protective storage until they can be restored.

While the city’s action is commendable, that of the vandals was disrespectful and, frankly, inexcusable.  I am giving those individuals the benefit of the doubt that they apparently are unaware of that they not only did they deface a significant Native artwork, but in so doing they insulted the artist, the Lummi Nation and the families of those killed in the 1999 Bellingham pipeline explosion for whom the pole was intended to memorialize.

The vibrant, bold colors of the totem can be seen in this detail of a salmon.

The 15-foot cedar log pole was created by the Lummi House of Tears carvers under the direction of Lummi Nation’s master carver Jewell James. Its bright, bold and beautiful paint was applied under the supervision of head painter Ramona James.  The pole took months to carve and paint before finally being erected and dedicated during an Earth Day ceremony in 2007.   “The pole is to restore the stream and its habitat and to remember the three boys who lost their lives,” carver James told American Profile reporter Heather Larson.

James referred to the three boys–Liam Wood, 18, Wade King and Stephen Tsiovras, both 10, who were killed when the Olympic pipeline (now owned by British Petroleum) carrying gasoline exploded dumping an estimated 277,000 gallons into the creek that runs through Whatcom Falls Park, located in the middle of Bellingham.  Liam was fishing after having just graduated from high school; Wade and Stephen were playing, as they often did together, further down creek.  It was a day that darkened the sky over Bellingham as the black cloud billowed above the park.  The explosion literally stopped life in town as everyone, myself included, wondered what had happened and emergency first responders rushed to the site.

Lummi Nation master carver Jewell James speaks at the dedication ceremony.

The explosion made national news, changed national pipeline regulation (although the families of those who died will tell you not enough) and some believe awoke Bellingham to the dangers that unregulated and aging pipelines pose for not only our city, but others like it throughout the country.

Lummi Nation tribal members as well as family and Bellingham community members gathered on April 20, 2007 to dedicate the healing totem.

I was present, along with a few others, on the day of Lummi Nation gave and dedicated the totem and benches to the city. The ceremony was emotional and moving with other Pacific Northwest Native Nations witnessing the event in order to pass the story along to the next generation. Those gathered listened solemnly as carver James spoke eloquently about the need to promote healing for all those impacted by the explosions, wildlife as well as human life, and about the importance of being good stewards of the environment.  Members of the Lummi Nation, also delivered a heartfelt messages for the family members attending. Lummi drummers and flutists played.  Blankets were draped around the shoulders of the deceased boys’ young friends, now high school students, participating in the unveiling during the ceremony.

The parents of Wade King, Frank and Mary, watch as their son’s personal belongings are placed into the memorial box on the totem.

Then, James asked the family members of the victims to bring forward the items that they had brought to be placed into the memorial box positioned atop the totem.  One by one the personal belongings of Stephen and Wade were handed up the tall ladder to the tribal member who carefully laid them inside.  A teddy bear, a baseball card and cap were among the things. The lid was fitted tightly and sealed.  Tears streamed down the faces of not only the family members but others who were that day.

And, as the ceremony was ending, two solitary eagles soared and glided over head, just as James had told Wade’s mother, Mary, earlier that day that they would.

As if on cue, two majestic eagles appeared, silhouetted in the sky, as the totem’s dedication ceremony concluded.

It was a day I’ll never forget.  When I read about the vandalism of the totem and its removal, my heart ached.  The city is apparently intent on repairing and restoring the totems and benches but in the meantime, there is a huge emptiness where they stood in the opening by the creek. The runners, walkers and visitors who pass by it will miss it.  The totem served as a somber, dignified reminder, as well as a memorial, to those who tragically died on that early June day in Bellingham.  That’s what’s on my mind this Memorial Day.

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Love Loved Life

I didn’t make or send any Mother’s Day cards this year.  Making cards and sending them to my Mom and my aunts was something I always enjoyed and had done for many years after leaving home and living on my own.  Sadly, I my Mother passed away six years ago, (simply hard to believe still) and the last of my many aunts died only a month ago leaving me now with only two uncles whom I love and keep in close touch.

It’s an odd feeling to go from having such a large, extended family to such a compact one although I have many cousins who now make up the family network.  I was fond of all my aunts and feel fortunate to have had them throughout the greater part of my life. And now that I don’t, it’s disconcerting.

My mother’s sisters and brothers assembled for a rare photo together taken in 1944. From left: Norman (on leave from the War), Austin, my mother, Phyllis (in front), Oleta (the oldest sister), Lavetta, Imogene and Hazel

My mother had six sisters and two brothers.  She was the third in line.  They all had names that you don’t run across everyday, even for the time that they were growing up:  Oleta, Hulda Victoria (whom we called Hazel), Ollie Nadine (my mom), Jesse Imogene, Lavetta and lastly, Phyllis.

My aunt Phyllis, the baby in the family, passed away two years ago leaving only my aunt Lavetta, who died last month.  I hadn’t seen Lavetta in several years although we kept in touch through Christmas cards and correspondence.  But during the past two years, dementia took its toll and it became difficult to connect with her although she still responded and remembered her brother Norman (my uncle) who played his harmonica for her whenever he phoned.

The sisters and brothers assembled again for a photo in 1985 at the cemetery where their grandparents, father and oldest sister are buried. They were there to honor their grandparents who immigrated from Sweden. From left: my mother, Hazel, Norman, Austin, Phyllis, Lavetta and Imogene.

As a kid, she was pretty mischievous and was often sucked into trouble by her older and younger brothers.  Once, so the story goes, her younger brother talked her into laying her finger down onto a tree stump whereupon he then sliced off a chunk of it with his little hatchet.  Whether it was an accident or intentional, her brother was severely punished. My grandmother managed to save Lavetta’s finger without a doctor’s assistance, although I don’t recall exactly how.

One of her jobs on the Missouri farm where my Mother’s family then lived, was to bring the cow up from the pasture to the barn. Lavetta often did so by riding the cow instead of herding it in.  She could never retell or listen to the story without breaking into laughter, I suppose from recalling what must have been a very bumpy ride.

One of my favorite photos of my aunt Lavetta taken by my father on the tennis courts where she lived.

I always thought Lavetta was quite beautiful with her big dark eyes, short, always stylish dark hair and bright smile. She was also very athletic her entire life, who, like my Mom enjoyed playing softball when growing up.  She also was skilled on the tennis court, or at playing badminton or in the swimming pool. Later she took up bowling in which she regularly competed until back problems caused her to curtail those games.  I too have been athletic my entire life which may be one reason I always admired ‘Love’ as the family called her, and welcomed the chance to play a game of tennis with her whenever she visited.

Lavetta, with her first husband, Gene, and her daughters, as a young mother.

Lavetta began a career as a flight attendant, back in the days when they were referred as ‘stewardesses.’ She left that behind when she married my uncle Gene and started a family.  My family often travelled up to the Chicago area where they lived to visit them.  Together we’d go to the Lincoln Park Zoo, the Museum of Science and Industry, Marshall-Field’s big department store in downtown or once, made the trek together up to the scenic Wisconsin Dells.  I have fond memories of those visits.

She later remarried after her first husband died suddenly of a heart problem.  With her second husband, Lavetta attended the family reunions in Missouri’s Ozarks where they took part in the skits that my aunt Hazel had written, sometimes dressing up in hillbilly or sailor costumes as the part she played may have called for.  Her new husband, Del, was a vocal teacher who had a beautiful baritone voice and together they’d sing old songs to entertain those gathered for the reunion and dance to tunes that my mother’s generation loved.  Del even made a CD collection of those songs for us recording a personal introduction to each  track.

My aunts Lavetta, left, and Imogene wearing their warm, plush Mouton coats. I now own Lavetta’s coat and wear it whenever the weather is cold enough to do so.

Simply said, Love loved life and loved to laugh.  While she had her serious moments, it was her big laugh, along with that acquired Chicago-area accent that I recall best.  Now that laugh is silenced forever and I have only my memories, my photographs, the CD collection and a fabulous Mouton coat that once belonged to her to keep her close. She and my other aunts are no doubt having a wonderful time together again in their afterlives.

I miss all of them dearly, especially on days like this one when I would have popped five or six Mother’s Day cards into the mail.  Our time together now seems relatively short-lived but full and rich.  Happy Mother’s Day to my Mom and my dear aunts. You still live in my memory.

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Picture Yourself Paddling

One of my great pleasures about living in the Pacific Northwest is the past time of paddling in my kayak.  It’s an activity that I took up many years ago now after moving to this area upon the encouragement of a friend.

When you live in the Puget Sound and Samish Sea area, you are surrounded by water.  I can’t imagine not taking advantage of the recreational opportunities to be enjoy the natural beauty of being on the water.  As I don’t own a sail or motor boat, kayaking is the way I do it.

These two geese were just taking off when I caught them with my camera. Wildlife in motion often produces more dramatic images than those that are still and lifeless.

For me, paddling provides time away from the distractions on land. There are no cell phones, no computers, no televisions, nothing to draw your attention from the task at hand, which is how it should be whenever you’re out there on the water.  Not paying attention to the currents, the wind, the waves and the weather can run you into trouble faster than you realize.

The reflection of light on the water always draws my eye. It’s always different and fascinating, truly a ‘watercolor.’

I often carry a camera in my boat with me, usually one of my point and shoots so that I don’t risk damaging my single-lens reflex digital cameras.  I’ve never invested in a watertight case for my SLRs, something that is on my equipment ‘wish list.’ Usually, I tuck my little compact camera safely inside my life vest (never go out without one) where I can yank it quickly out if I see something I want to try to capture.

One of the tricks of shooting on the water, especially in a kayak, is how to stay in place, bobbing up and down, in order to get the shot.  It’s not easy. That’s particularly true if you’re trying to photograph wildlife on the shore. Without a super long lens, I must quietly slip up close to whatever it is I want to photograph until I think I’m in a good range. Trust me, this is not the way the National Geographic shooters do it but it works for me most of the time. I’ve become pretty adept at handling my paddles.

The oyster catcher is one of a pair that makes their home on the island in Chuckanut Bay. This Oyster Catcher wasn’t disturbed by my efforts to photograph is against the evening sky so I managed to nab a nice profile of it surveying its nesting domain.

I like going out just before sunset. The water is generally smoother then, the light not so glaring and the colors can be stunning.  Early morning is a good time too, especially if there are nice clouds.

Even though I tend to paddle in the same waters here in my area, I never lack material to photograph.  The water, the shore, the sky seldom look the same. One day there’s a seal, the next there’s not. Some summers the oyster catchers are there with a new brood, sometimes they’re scare.  Sometimes that sunset you anticipate never materializes, sometimes it’s so saturate in color that you’d swear someone has “photoshopped” it onto the sky.

Paddling together on the water at sunset during the season of luminescence. It’s an especially magical time.

And never, never do I go out alone. That’s just asking for problems, no matter how expert a kayaker you are.  A paddle partner also gives me someone else to photograph against the vast, open scene.  My paddle partners have become quite accustomed to serving as models for my photographic expeditions.

Only two of the many photographs I’ve made while paddling appear in the show at Stone’s Throw Brewery, up through April.  I’ve shared with you here a few of the others.  Seeing these images in print, however, offers quite a different experience than viewing them here on-line so I hope that if you’re in the area you’ll stop by and have a look.

This is one of my friends with whom I frequently paddle, Its’ the same paddler as the one seen in the large print on display now at Stone’s Throw Brewery. I hope you’ll see it.

 

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Sip a Brew, Have a View at Fairhaven Artwalk

March is Women’s History Month.  And while I’m not history yet, I  was invited by  Stone’s Throw Brewery to show some of my photographic art from my portfolio this month because I  am a woman photographer .

The collection on display at Stone’s Throw Brewery includes images taken at Mount Baker National Forest.

Brewery co-owners Tony Luciano and Jack Pfluege selected six images from my art portfolio to display on their walls in celebration of women, art and adventure. The two are alumni of Western Washington University who returned to Bellingham to follow their dream of creating a brewery that would truly capture the spirit of sustainability, community, and adventure.  It’s a cozy little place nestled in Bellingham’s historic Fairhaven district.  Over the past two years, Stone’s Throw has developed a steady clientele who  come to enjoy the friendly atmosphere, sit on the sunny upstairs deck, warm up by the fire pit in their beer garden or  listen to the music by played by locals in the evening while sipping a glass of their tasty beer accompanied by barbecue, pizza or sandwiches provided by nearby restaurants or visiting food trucks.

The Pacific Northwest is a paddler’s paradise precisely because of evening’s like this.

On March 31st, Stone’s Throw will host its second anniversary Block Party, a good way to kick off the spring.

But before then, this upcoming Friday, March 23, the brewery will be one of the stops on the Fairhaven Fourth Friday Art Walk from 5 to 8:30 p.m.  Yours truly will be there to welcome gallery strollers and to share stories about the prints in the show and about my photography art work.

One of six prints now on exhibit through April at the Stone’s Throw Brewery. The Tulip Truck was taken in the Skagit Valley tulip fields.

The six prints selected represent only a small portion of my portfolio some of which can be found on-line in my Art Prints album  or in my Beauty of Bellingham album. Some of the images in these albums you may have seen before on the programs, brochures or websites of the Bellingham Festival of Music or CASCADIA International Women’s Film Festival.  The prints in the Stone’s Throw show are all available for purchase and are large, wall-sized art prints framed and ready to display in your business or home.  Some are available in other sizes so if you see one you like but need a different size to fit your space, let me know.

The beauty of Chuckanut Drive has long caught the eye of photographers, my own being no exception.

All the images were made here in Bellingham’s backyard: on the water, at the mountain, in town or in nearby Skagit Valley. They represent an aspect of my photography work that I don’t often publicly display, although it can be readily found on the Fine Art page of my website.  During the two months of the show, I thought it would be fun to share with you the stories behind each here on my blog.

I hope you’ll enjoy them as much as I do. Please stop by the Brewery on March 23rd during the Art Walk. for a brew and a view.

 

 

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The Whitney Preserves the Darker Side of Southern U.S. History

We’re in the final days of Black History Month here in the U.S.  I don’t want it to end without writing about a  new destination I visited earlier this month while in New Orleans.

The last day of my annual retreat to New Orleans was spent visiting one of the many plantations open to tourists and school groups on what is known as River Road, the two-lane highway that winds north along the Mississippi on the opposite bank from the Crescent City. As the National Park Service says: “Although other states have their own River Roads, perhaps none is more evocative or famous than Louisiana’s. Here, the very name inspires a vision of white pillared houses standing amid lush gardens and trees dripping with Spanish moss.”

The Antioch Baptist Church is the first stop on the tour of The Whitney Plantation.

While that is true, River Road also represents a much darker, less charming story of our country’s history that is seldom told during the tours of these showy homes and that is the story of those who actually built these splendid structures, who worked the fields that stretched behind and who lived an existence of enslavement fearing that any day they could be sold off to another “master” and forced to leave their family.  Except at one of these historic plantations, the story of slavery is its entire focus.

Opened in 2014, the Whitney Plantation is one of the newer properties for public and educational tours.  During the many years that I have been going to New Orleans for a winter break, I have visited nearly all, if not all, the other plantation properties.  They have been interesting, to be sure, and wonderful places to photograph.  Last year, I went out the Destrehan Plantation, located just 22 miles west of downtown New Orleans.  I took my son, who had never visited a plantation, there this year.

The heads of the slaves executed for participating in the Slave Rebellion of 1811 were placed on stakes along River Road as warning to other slaves. These clay sculpture heads honor those executed in The Whitney’s Field of Angels.

Destrehan makes a point of talking and including some individual stories of the enslaved in its tours, unlike other plantations. To be honest, I had never heard about the Slave Revolt of 1811 until I visited Destrehan. It certainly wasn’t in any of the history books I had read in school.  I wrote a piece for this blog about Destrehan last year.  The plantation is one I’d highly recommend to you.

The Whitney, however, is solely dedicated to preserving the memory and history of the enslaved. The stories you’ll hear on your tour are not storybook sweet nor romanticized.  Life for those who were chained and brought to this country like cattle, or less, in the filthy holds of ships, was never romantic.  The Whitney seeks to basically tell it like it truly was, as accurately as possible, without sparing words for the way these hard-working, brutalized and largely disrespected people were treated by those who considered them as nothing but property found on their list of valuable belongings.

Cheryl, our Whitney docent and tour guide, takes the history of the plantation personally as she talks before the Wall of Honor.

As Cheryl, my guide for the tour who lives and grew up in the area, said:  “For me, this is not history, it’s personal.”  She quite likely had ancestors who were slaves, if not on the Whitney, somewhere else.  Her words and descriptions of what slave life was like were full of emotional fact.  And as she herself said: “Sometimes hard to hear or read.” Like the fact that no slave escaped the punishment of the slave driver’s rawhide whip. Even pregnant slaves who “misbehaved” were forced to lie face down, with he ground below dug out to accommodate their swollen belly, to receive their lashings.

In the Whitney’s museum you learn about Louisiana slave history.

The visit starts in the Whitney’s small museum while waiting for your tour time which start hourly from 10 a.m. to 3 p.m. There you’ll read a little history about their journey from the Ivory to Gulf Coast, view the timeline of slavery throughout history worldwide and gain a little perspective as to how slavery in the U.S. contributed to this country’s disgraceful history.

Outside, on the plantation grounds, you’re first stop is at the picturesque Antioch Baptist Church, for many years the only African-American church in the area. The church was donated and moved to The Whitney from another location on the east bank.

The life-size clay sculptures of Woodrow Nash pay tribute to the children of Whitney.

Inside you’ll find beautiful, life-size clay sculptures of the children of the Whitney, created by artist Woodrow Nash.   Their individual stories and pictures are found on the laminated lanyards given to you when you begin the tour for you take home as a memento of the visit here.

There’s also a stop at The Wall of Honor and Field of Angels where those lived and died in slavery are remembered.  The original 22 cabins once that once housed the 61 slaves of the Haydel plantation, as it was then known, were torn down in the late 1970s. The ones that stand on the property today were moved there from other plantations.

The slaves lived a sparse hard life in cabins, such as this, on the plantation.

The “Big House”  is one of the earliest and finest examples Creole style plantation homes in Louisiana and is one of the best preserved.   Somewhat more modest than others found on River Road, it is, however, architecturally and historically significant. It provides visitors with a glimpse of how the plantation owner’s family enjoyed the comforts of life while those they depended upon to provide it lived in simple, crowded wooden quarters within view of the back gallery.

A family touring the Whitney poses for a photo outside the Big House.

The centerpiece on the property is the rusty-brown box-car shaped slave jail placed directly in line with the Big House. More like a cage, the ‘jail’ originally stood elsewhere and held slaves waiting to go on the auction block.  Step inside and you feel a chill of those who once were shackled and confined here.

The rusty iron doors of the slave jail locked in many an enslaved person before being moved to The Whitney’s property.

Walking around the Whitney was one of the most moving and educational experiences I’ve had in my years of going to the area.  I highly recommend it for anyone who’s headed there.  And if you’re not, take a few minutes to read more about The Whitney and its efforts to provide an honest historical perspective of slavery in the U.S. South. It’s sure to be  a story that sticks with you.

 

 

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Ice Castle Brrrrrrings Fanciful Fun to Winter Weather

When you were a kid did you ever bundle up when the big snow hit, run outside and build a snowman, or a snow house or fort?  I did.  I don’t recall receiving the kind of heavy snows that hit much of the U.S. this week during my years growing up in the Midwest, but there were plenty of winter days that enough of the cold, white snow blanketed the ground to  build a couple of small walls in my aunt’s big vacant lot. We lobbed packed snowballs back and forth at each other by popping up and ducking behind these freezing fortresses until we were so cold and wet that a truce was called and we retreated indoors to warm up with steaming cups of hot chocolate with sticky sweet marshmallows floating on top.

An Ice Castle visitor emerges from the tunnel entry to the open cavern.

Our childhood’s frozen fortresses were fun but nowhere as fancy as the elaborate Ice Castle I visited last winter in Midway, Utah.  I was in Midway attending a film festival conference when, during one of the evening’s gatherings, everyone was invited to see the Ice Castle at the Homestead Resort where we were staying.  It was late, and cold, and I was tired from sitting in meetings all day.  But those who had been at the conference before told me that I must go out and see the castle.

The centerpiece of the castle was a giant birthday cake-like sculpture that inspired an uplifting response from this visitor.

Having no idea what exactly to expect, I grabbed my camera and carefully made my way down the snowy path behind the resort until I came to a lighted entrance. Even as I stepped past the attendants at the arched entry, I didn’t anticipate what was coming.  I walked through an illuminated blue tunnel of icy stalactites looming high above me that revealed at the end to a spectacular, snowy open cavern surrounded by 20 to 35-foot high and 10-foot thick walls of ice.  Sitting in the center was a towering singular free-form sculpture lit like a big birthday cake with light that changed color every few minutes.

People are literally on their hands and knees as they navigate through some of the ice castle’s tunnels.

Off on the sides and built into the walls were tunnels through which other conference attendees were carefully crawling or walking as they took in the beauty of the icy formation that encased them.  At the far end stood the slickest slipper slide I’d ever seen down which sliders sped on their tushes like two human toboggans. The dark silhouettes of bulky-clad visitors wandered the shimmering structure, disappearing in and out of the walls, convening in the center to look like eerie explorers in a strange frigid landscape.

Coming together in the open cavern, the silhouettes of castle visitors look like explorers in an eerie frigid world.

The Ice Castle is a man-made creation designed by a crew of artists who put it together by growing individual icicles and attaching them to one another until they are absorbed into the larger structure. Brent Christensen created the first ice castle creation for his daughter in his front yard of Alpine, Utah. Converting his hobby into a company, he founded the $2 million business, Ice Castles.  His first public installation was constructed in Midway in 2011 at the Zermatt Resort.  It was so popular that he expanded to include his four partners. Today, their company builds ice castles in six locations in the U.S. and Canada and attracts more than a million visitors.  A crew of 50 now do what Brent once did alone.

The water freezes into unpredictable shapes, like this ice feather.

More than just a wintry wonder, the Ice Castles are the setting for outdoor winter concerts, weddings, family outings and conference attractions, like the one I attended.  Of course, the success and the ability of the ice artists to come up with these  castles is weather-dependent.  They start in the fall spraying water through a system of sprinklers onto metal racks that grow the icicles harvested by Christensen’s team and attached to scaffolding that eventually becomes totally covered by ice and develops into unpredictable shapes.

Looking up when walking through one of the tunnels, stalactites stare perilously down upon you.

Yes, walking through a tunnel with thousands of pounds of ice hanging down above you is a bit disconcerting though Ice Castles assures you it’s safe because of the way it is constructed.  The longer you stay, however, the more you’re overcome by the sheer magic of the icy-blue beauty of the castle.  Trepidation is taken over the fascination for how the castle is created and how something so simple as water can transform itself into such an enchanting experience.  Although helped in the process by human touch, Christensen’s ice castles provide yet another reminder of nature’s amazing majesty, even when temperatures are well below freezing.

 

 

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Everything’s Coming Up Roses

I switched on the television this morning and there it was, the 129th Annual Tournament of Roses Parade, already well underway.  This parade with its profusion of elaborately expensive flower-decked floats that glide down Colorado Boulevard in Pasadena, Ca. while millions of spectators watch from both curbside and in the comfort of their homes via electronic broadcast, has become as much a New Year’s tradition in many American households as has pop[ing a bottle of champagne the night before.

A gigantic orca made entirely of flower seeds leaps by spectators during the 100th Rose Parade. A palm tree, so exotic to me in my youth, frames the scene from our grandstand seats.

Watching the Rose Parade on television was a New Year’s Day tradition in my parents’ home when I was growing up in middle of the country.  Seeing tall palm trees on TV on January first was an exotic sight compared to the gray, bare-branched oaks, elms and maples shivering in the cold outside my hometown window.  Pasadena’s bright blue and sunny skies (it’s only rained 10 times on the parade and only twice in my lifetime), were a Chamber of Commerce advertising postcard that teased those of us stuck in frigid temperatures with winter’s white snow and ice often coating the ground.

That’s exactly why the Tournament of Roses was originated in 1890 by the city’s Valley Hunt Club. The men of this civic organization envisioned the tournament and established a parade of flower decorated horse-drawn carriages as a way to promote their little Southern California city.  Today, the event has developed into one of the biggest New Year’s Day celebrations in the country.  Millions of flowers, buds, seeds and grasses are used to create the floats and make the Rose Parade one of the most beautiful holiday events in the world.

My aunt and uncle with their special bumper sticker that they attached to their motor home for access to the Rose Parade.

When I moved to Los Angeles I wanted to experience the Rose Parade in person.  I never dreamed, as a kid back in Kansas, that one day I would actually huddle alongside all those other people to watch the big floats pass by within yards of where I stood.  I went three times to the parade while living in Southern California.  Veteran Rose Parade-goers will tell you tricks to preparing and staking out the best viewing positions.  For some that means setting up tents the day before and spending the night on the sidewalk along with thousands of other dedicated and determined folks.  The night takes on a festive atmosphere as people bring in the New Year together at their city campsites.

We never camped out choosing instead to arise well before dawn, load up the car with coats, camp stools, ladder, cameras, kids and provisions for the day then drive the 25 miles from our house in the San Fernando Valley to our friends’ home in South Pasadena.  We parked our car in their driveway (a primo place) and hiked towards our desired parade spot.  Experienced parade watchers have their favorite places from which to watch the two-hour moving spectacle.  The first year, we staked out a spot near the start of the parade on California Boulevard and set up a ladder so that we could see over the heads of those lining the street in front of us. Even from our higher elevation, the floats towered above us as they passed by.

My family sat together in the stands for the 100th Rose Parade in 1989.

For the 1989 Rose Parade Centennial,  we were treated to grandstand seats by my uncles and aunts from Phoenix and California who reserved overnight spots for their motor homes in a parking lot right off the parade route.  My parents, who I’m sure never imagined that they would see the Rose Parade firsthand, my brother, Richard, and his young family flew out for the special celebration.  We assembled early at the motor homes for a quick breakfast before the parade began then strolled together to our seats in the grandstand.  We bundled up as it was colder than usual that year and kept ourselves warm by drinking steaming hot cocoa poured from a thermos.  Everyone enjoyed the show except for my two-year-old son who cuddled in my husband’s arms and slept through the entire thing. Afterwards, we retreated to the motor home where we feasted on sandwiches while everyone else streamed out of the stands towards their cars and homes.

My mother, right, and aunt stand alongside a float following the Rose Parade in the post-parade area.

Following lunch, we headed over to where the floats were parked for post-parade viewing open to the public for  a close-up look at the intricate floral work.  Every inch on the floats must be concealed by the flowers or seeds. The colors are even more brilliant and breathtaking when you see each bloom that was painstakingly glued or stuck into place for the day’s parade by the countless volunteers who work through the night before to complete the decorating.  The floats remain in the post-parade viewing area for a few days before being pulled out and towed unceremoniously by tractor to the many warehouses where they are dissembled.

I went for one final Rose Parade with my three sons, then ages five, seven and nine-years-old, in 1995.  My husband chose to stay home. The rest of us arose pre-dawn, packed up the car, drove to Pasadena, parked and walked together up the street to our grandstand seats.  The parade rolled by as we watched live one final time.

In the post-parade viewing area, you get a close look at the flowers that decorate the floats.

Float after float went by interspersed by the marching bands that had come from all over the country to take part.  A little more than midway through the parade, one band in particular caught my eye.  It was the Golden Eagle Marching Band from Ferndale, WA.  Excitedly I pointed out to my sons that this band was from the little town we had visited near Bellingham, where we had vacationed the previous summer.   It had to be serendipitous that the band made its one and only appearance in that Rose Parade. Only two years later, we would be watching  the parade on television from our new home in Bellingham and recalling the New Year’s Days that we had gone to Pasadena to see the Rose Parade.

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The 5 Ps For When You Must Leave Include Photos

I’ve been thinking a lot about all my family and friends in Southern California where some of the worst wildfires in the state’s history continue to burn out of control. (Hopefully by the time you read this firefighters will have gained the upper hand.)  Fortunately, the flames have missed most of my family and friends, but last week, two of my dearest friends had to flee their home in the middle of the night.

At the time, theirs was a voluntary evacuation, although the threat has crept ever closer until the fire line is now only a little more than a mile from their home.  They tried to return to their house yesterday to gather a few more belongings but their attempts were thwarted when the main freeway was closed between where they are now staying and their home.

Photos taken of me by my father for our annual Christmas card are among those that I prize now and wouldn’t want to lose in the event of a natural disaster.

They grabbed what they could last week as they quickly abandoned their house.  Among the things that went with them, were their priceless family photo albums and the external hard drives on which they had stored their digital images.

This was on my mind because I’m obviously very concerned and worried for my friends but also because I had heard a television news item earlier last week about the “5 Ps” to take in case you have to evacuate.  Photographs was on the list, along with pets, personal papers, prescriptions and your personal computer.  In a year when this country has seen devastating fires, hurricanes and floods, too many Americans (including those in Puerto Rico where they are still struggling), have had to decide what to take when suddenly told to leave their home.

I have had only one instance in my life when this happened to me. That was the year the 6.7 Northridge earthquake rocked our neighborhood.  When the shaking stopped, we gathered our sons, carried them out to our front lawn and told them not to move while my husband and I went back into the house to collect some items. Plumes of smoke were rising into the air from a nearby fire. We decided to prepare for the worse, not knowing whether another quake would follow or whether the fire would move to our house, pushed by the Santa Ana winds predicted for that day, the same winds driving the terrible fires in Southern California now.

I hadn’t quite learned to sit up in time for my first Christmas as you can see here in this snapshot with my cousins. I particularly love the hand on the right coming in to catch my cousin in case he toppled over.

Among the things I considered essential, were my family’s photo albums and the portraits hanging on my walls. I carried out armful after armful, nearly filling the family van. One reason I could do this was because I kept the albums in one spot and stored the boxes of photos not yet in albums in one place.  This is something I still practice although I now have many more albums, along with the boxes and the photos still to be sorted from my parents’ home.  Some of the photos I couldn’t stand to lose are those from Christmases when I was a kid.

I first wrote about this after the devastating tornado hit Moore, Oklahoma in 2013.  What I said then still goes: nearly everything else, with the exception of family heirlooms, can be covered by insurance or replaced  when destroyed by disaster. But a family’s photographs are truly priceless and often irreplaceable.  I offered then some tips for keeping your photos safe and encourage you to go back for a reminder by clicking here.

Digital photography has made it easier in many ways to archive your precious images by uploading them to a ‘cloud’ storage service, or burning them to CD or storing them on external hard drives, hopefully you do at least two of these.  In addition, make prints of the images that mean the most to you because as wonderful and convenient as ‘cloud’ and digital storage is, there’s still no guarantee that these systems are fail proof. And keep your prints somewhere where you can easily grab them in the event you are ordered to evacuate.

My friends are safe, for now, hoping and waiting for the winds to die down, for fire fighters to gain ground and for the fiery monster approaching their home to be stopped. There is much they will lose if the flames aren’t extinguished, but along with the family pet, their prescriptions, their personal computer they have their family photos.  I hope others who also have had to head for higher ground in rising water, hunker down against a hurricane or run from engulfing fires this year also had the chance to grab their own family’s photos.

None of this matters, of course, if lives are at stake.  There are ways to reconstruct your photographic history if it comes to that, even prior to digital technology.  You may lose some of your most meaningful visual memories, but nothing surmounts the loss of life.

 

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A Legacy of Canned Love

This Tuesday,  Nov. 20th, would have been my Dad’s 98th birthday.  It doesn’t always fall this close to Thanksgiving but it did the year my Mother’s passed away.  That was an especially emotional Thanksgiving for all of us.  My family celebrated the holiday with my Dad at my brother’s home in Kansas just days after my Mother’s funeral and my Dad’s 93rd birthday.

My Dad died two years later.  Although he’s no longer here to eat Thanksgiving dinner with us, we still enjoy the fruits of gardening and cooking with the few remaining jars of canned food that he left us. It’s almost as if he’s still sharing a meal with us.

My Dad loved working in his garden and canned the bounty he harvested.

Canning the tomatoes, beets, green beans and cucumbers harvested from his garden brought him great pleasure.  Often, a jar of tomatoes, green relish, piccalilli or, his favorite, stickles would wind up under the Christmas tree as a holiday gift from my Dad.

My Dad’s gardening hat and his hand sickle along with the jars of canned vegetables he made are touching reminders of his love for growing his own food.

Sadly, I didn’t care for the stickles until  recently when I snapped open a jar sitting on my pantry shelf.  I taste tested a tiny bite to determine if the stickle was still safe to eat.  To my surprise, I found it deliciously sweet, not at all what I had expected.  For those of you unfamiliar with this down home delicacy, stickles are made from cucumbers with white vinegar, some drops of green food coloring, celery seed, sugar, some lime and salt. The cucumbers are cut lengthwise into strips and come out sweet and much different from traditional pickles.  My Dad had tried hard to convince me that I would like them but as I’m not a big fan of cucumbers I never did.

My Dad’s handwritten recipes along with the cookbook he liked to use when cooking.

Another favorite of his was pickalilli, a sort of relish made with tomatoes. I think I have only one jar of this remaining. I can remember my Dad saying “Um, that’s good!” when he’d eat a spoonful.

After adding some spoonfuls of his green relish (foreground jar), my Dad samples the filling for his deviled eggs for Thanksgiving.

He also made sweet green tomato relish that he’d mix into the filling for the deviled eggs that he made to that Thanksgiving dinner at my brother’s home.  I’m taking deviled eggs as an appetizer to my friends’ Thanksgiving dinner this year.  There’s a jar of that relish on my refrigerator shelf. I may add some to give the egg filling a little more zip.

Of all his canned creations that we still have, I love the ‘pear honey ‘ the best. I have only one jar left. It’s half empty now. I covet every single spoonful that I spread onto my warm toast, usually for Sunday morning brunch.

I have fond memories of my Dad associated with the pear jam.  It springs from the day that we were driving back to his home after a visit to my brother in Kansas City.  My Dad spotted an aged pear tree growing in a field alongside the highway. The tree obviously had not been pruned or tended for a long time. At my Dad’s request, I pulled over to the shoulder and parked.  He slid out, taking a plastic grocery bag with him as he headed for the tree. “Um boy,” he exclaimed. “Look at all these good pears. These will make some good pear honey.”  I could almost hear him smack his lips.

Spotted growing beside the road, my Dad picks pears from an old tree to take home for cooking and canning.

The few jars left on my shelf are each labeled with the contents in my Dad’s handwriting on a strip of masking tape. I think I’m not going to remove the label when the jar is finally empty because it will still be filled with memories .

 

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Halloween Costume Challenges Treated with Homemade Love

I was riding in hired car to the airport yesterday when a young Spider-Man and Princess Jasmine from Disney’s Aladdin movie hopped in with their mother. They were on their way to a school Halloween fair.  Sharing the ride with me kept the fare cost low for us both. Spider-Man, whose name I soon learned was Julio, really wanted to dress as Mickey Mouse but as there were no Mickey Mouse costumes at the store, he had settled for Spider-Man until his mother could finish making him a Mickey Mouse suit.

Wearing their homemade turtle shells, my sons pose for a Halloween photo beside the street’s sewer opening, where the cartoon turtles lived.

The costumes were cute, in that commercial sort of way, but I know the one his mother is crafting will be much better simply because it is homemade and is assembled with love.

I recalled to the mother the year that I had created Ninja Turtle costumes for my three sons. The fact that I could stitch up turtle shells from felt was in itself a fabrication feat.  Now I wonder exactly how I managed it given my limited skills as a seamstress.  And yet, year after year, I seemed to pull together my sons’ costume choice for Halloween.

With Matthew dressed as “The President” my sons are ready to depart for trick-or-treating.

Some years were simpler than others, like the time my oldest son, Matthew, then seven, decided to masquerade as ‘the President.’ He wasn’t interested in impersonating any one particular person who had held our country’s highest office but rather as himself, dressed as, well, the President.

That meant pulling from his closet the one and only suit jacket and dress pants he owned–probably bought for another special holiday or celebration–shining up his shoes, putting on a white dress shirt and tie and handing him a trick or treat bag.  As a finishing touch, he also carried with him a copy of the Constitution.

A disposal painter’s suit, snow boots and Dad’s work gloves transformed my son into an astronaut one Halloween.

The year he landed on being an astronaut was a little more complicated.  We borrowed a helmet and had a big pair of snow boots and his Dad’s work gloves to wear, but what to do for the suit itself?  Finally, I figured  it out. I visited a paint store, picked up a disposal painters suit and stitched on the front and sleeve the Space Shuttle patches bought at NASA’s souvenir store at Edwards Air Force Base when I attended a Space Shuttle landing. The adult size even in small, swallowed my nine-year-old son, but hey, spacesuits aren’t skin tight. He was happy and looked very authentic.

That particular costume was much easier than the Halloween my son Tim chose to be a pumpkin. Fortunately, some bright orange shiny polyester fabric stitched pieces together into a rotund shape with openings for his arms and legs did the trick. We stuffed him with inflated balloons to plump him up and fill him out once he had slipped it on.

My son Tim strikes a Halloween pose in his pumpkin costume before leaving to trick-or-treat.

The pumpkin was less of a creative challenge than the Darkwing Duck request that came from my son, Marshall, one year.  That may have been my finest fitting.  Darkwing Duck was a heroic cartoon character that had captured five-year-old Marshall’s attention.  DD has long since faded into hero obscurity but he was a dapper masked defender dressed in a wide-brimmed hat, short, double-breasted purple jacket with big gold buttons and flowing purple cape. (Don’t ask me why a duck that can fly needed a cape.)

Darkwing Duck with his first-grade teacher at school on Halloween. See how my son’s chin is lifted so he can see out the mask?

In one of my most inspired design moments, I constructed a hat from felt that even a milliner could respect, stitched up a cape from purple fabric, cut big round buttons from bright yellow felt and tacked them on to a purple sweatshirt along with a makeshift collar, and tied a purple satin band that kept slipping out-of-place, over my son’s eyes so that he had to keep lifting his chin to look down through the holes.  He was a fine masked marauder that year. I was grateful when, in the years following, he was content to masquerade as a hockey player by wearing his own hockey sweater and carrying his stick.

Whatever happened to those Ninja Turtle shells I don’t know. I suspect they eventually fell apart with so many hours of play in the days after Halloween. So did the astronaut suit.  Darkwing Duck’s cape lasted longer but it too eventually disappeared.  I’m not completely certain but that pumpkin outfit may still be folded in the bottom of the ‘costume’ box waiting for another Halloween opportunity.

One of the few Halloween costumes that we purchased was the buckskins and coonskin hat for Matthew’s Meriwether Lewis outfit.

Certainly, there were Halloweens when we paid for costumes, the year they went as the Ghost Busters for example, or when Matthew required buckskins and a coonskin cap to become Meriwether Lewis (of Lewis & Clark).  For most Halloween holidays it took a trip to the fabric store or rummaging through our own closets to come up with what I regard as their most memorable masquerade outfits.

I hope Julio’s mother finishes his Mickey Mouse costume in time for trick or treating this upcoming Tuesday night. If she does, I’ll bet that’s the one both she and her son will remember when Halloween comes around in the years ahead.

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Celebrating Autumn’s Bounty at Cloud Mountain

Cloud Mountain Farm Center’s Fruit Festival celebrates the bounty of fall.

Fall was in full season at the Fruit Festival this past weekend at the Cloud Mountain Farm Center in Everson, a small town that lies right on the Canadian border.  Until a few years ago, the festival was known as the Harvest Festival and the place was a working farm and native plant nursery known as Cloud Mountain Farm.

My friends, Cheryl and Tom Thornton, owned and operated the farm for 33 years. Seven years ago, the farm was converted into a non-profit learning center dedicated to providing hands-on learning experiences to aspiring farmers, experienced farmers, and home gardeners, continuing the work the Thorntons have always done through the years.

A volunteer shows two youngsters how to press apples for cider.

The Thorntons still live at the farm but now they are joined everyday by as many as eight paid interns who participate in an eight-month educational program to learn the practices of good, sustainable farm techniques. They study plant propagation, tree fruit production, viticulture, market development, and vegetable production to prepare them to be farm owners, key farm employees or entrepreneurs and professionals involved in the agricultural industry or advocacy.

People from all over the region seek out Tom’s advice and expertise.

At the heart of it, of course, are my friends, Cheryl and Tom.  Cheryl handles most of the business and marketing side of the farm, as she has done for years.  Tom oversees the hands-on educational side, as he has done for years becoming one of, if not the apple expert in Washington state and maybe the region.  People from all over have brought their fruit and vegetable-growing questions to Tom and learned from his expertise through the hundreds of workshops he’s conducted for weekend gardeners and industry professionals.

My husband and I headed out to the farm yesterday morning, as we have done in many years past but not recently, to see what was going on. Although the day was cloudy (it is Cloud Mountain remember?) and chilly, the back field by the grape vines were already full of cars when we arrived shortly after it opened. Little kids were scampering down the road from the field to the festival area with their parents close behind.  Lines were already formed at the tasting tent where visitors could sample all the different types of apples, pears, cherries, grapes grown on the farm.

I stopped off first at the farm’s main barn to say ‘Hello’ to Cheryl, who was at the register checking out festival goers purchasing  five-pound bags of apples and pears. As she became busier, I wandered off to a hot-house where the band, Bridge, had begun to play.

The band, Bridge, entertained while festival goers sampled fruit.

Music has always been part of the festival and listening to Bridge reminded of the year that the band in which my sons and Thorntons’ daughter, Julia, performed at the festival. They were middle-schoolers at the time, all students of musician Ginny Snowe, a wonderful piano teacher who had put the band together in a summer music camp. The kids turned out to be so enthusiastic and good that they stayed together long after the camp to write music and play gigs at schools, festivals and other events.

While still middle schoolers, the band Switch played at Cloud Mountain’s Harvest Festival.

Known as Switch, their little band actually launched the music careers of some of the band members, including Julia who’s now a professional musical director and pianist; Jeff, who’s rapidly becoming one of the country’s best classical saxophonists and finishing up a PhD at the University of Michigan; and my son, Marshall, a drummer who’s plays professionally with several bands in Seattle one of them being, until recently the funk band, The Fabulous Party Boys.  (The band was a subject of another of my blog posts.)

Take a guess at the weight of the pumpkin and win a prize if you’re right.

Julia also grew pumpkins that she harvested each fall and sold at the festival to earn money for college. The pile of pumpkins is still there but Julia no longer grows them. Her sister, Cara, however, had brought her young daughters from Seattle for the day to help out and perhaps start another family tradition at the festival.

Sue swirls caramel onto an apple during the Fruit Festival.

As Bridge played, volunteers Sue and Burt Weber, twirled thick, yummy caramel around Cloud Mountain apples to hand to young customers. Cooks from Bellingham’s restaurant, Keenan’s, was serving up tasty snack dishes made from local products at the farm at another table. And another volunteer was answering questions and sharing material about the farm center at a third table.

I headed over to the tasting tent where Tom was slicing up pieces of pears for people. He handed me a slice of Rescue, a pair so named because, as he explained, a nursery grower near Vancouver, Washington (Buckley, WA. to be exact) found the species and saved the tree from being destroyed.  The fruit was sweet and buttery and nearly melted in my mouth.  Next, Tom gave me sample of the Seckel pear,that Tom said is considered native to Pennsylvania, maybe the only true American pears. It’s said to be named after a local farmer who found a “wild sapling” growing on a farm just outside Philadelphia late 1700’s, according to some accounts.  The small, reddish-brown pear has a creamy texture and a sweet taste.

Considered the only true American pear, the Seckel was found growing wild on a farm in Pennsylvania in the late 1700s.

My taste tests were interrupted by another pear sampler who had questions for Tom about her own pear trees. This is the kind of thing that happens to Tom all the time, no matter where he is because gardeners and growers locally know that he carries a wealth of agricultural information in his head.

I moved on to the cherry and grape tables before calling it a morning.  People were still arriving as we climbed back into our car with the carton of Cloud Mountain cider and a bag of  apples.  A visit to their farm is always special and welcome, but particularly went the Fall Fruit Festival is underway.  If you missed it this year, there will be another next year.  It’s a great way to start the season and to celebrate the beauty and bounty of this fabulous farm.

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Parting Shots to Last a Lifetime

Western Washington University here in Bellingham welcomed back its 14,000 students this week as classes for the fall quarter got underway.  Hundreds of students, faculty and staff, led by WWU President Sabah Randwana, walked together from the hilltop campus to downtown for the Paint B’Ham Blue celebration, now in its second year. But before the evening procession, students and parents went through their own ritual of saying good-by to one another.

My son, center, was busily making new friends before the traditional procession through the streets of the campus and too busy to notice that I was capturing the moment.

A week or two earlier, I watched as my neighbor’s son packed his car up to head back to college and as his parents followed as he pulled out the drive, his mother, camera in hand, snapping a few last photos as he drove off.  I was enjoying the moment and reliving in my own mind the same experience when my own sons left home and I said good-by knowing that life at home would never be the same.

Like my neighbors, I too snapped photos of my sons as they either packed up, unpacked or departed for their years away at college.  With each one, the last good-by was a little different and full of mixed emotions.  I’m sure those of you who’ve had children can vividly recall that day of departure, whether it was heading off to college or to living on their own.

During a visit to University of Oregon, my son Matthew consented to a photo at the main gate of the campus. Doesn’t he look thrilled? Still, I love this photo.

I’m glad to have the photos I took on those memorable days.  When I look back at them, the memories come rushing back as fresh as the day it happened.  Those snapshots give me a tangible tie to that moment in time and I was heartened to see my neighbor going through the same motions that I had gone through 10 years ago.  I first wrote about those good-byes four years ago in my blog post “Autumn’s First Day Moves In.”

Before moving in to his dorm behind him, Marshall let me grab this photo of him, suitcase in hand.

No doubt my sons were a little embarrassed by their mother clicking away when they arrived on campus although I certainly was not alone in insisting I take one more photo before leaving them. It is heartening to me to see parents still repeating those same actions, capturing images, now on their phones as well as with cameras, so that they’ll have them to look back upon later.  I hope they download and print out these precious memories so that they’ll truly have them forever and not lose them to a mishap with the ‘cloud’ or computer or phone.  If they do, they’ll have them for their sons or daughters long after college graduation.

I am grateful to my sons who allowed me, and continue to allow me, to photograph them during these life events and everyday moments, particularly at times when it might not otherwise have seemed ‘cool’ to do so.

My son indulged me in a photo together before we said good-by on his college move-in day.

Every fall, when I watch the new students and their parents arrive at the neighboring university, their cars pulling one after another into the dormitory parking lots, the boxes and duffles and suitcases being carried up to the rooms where they will live for the next several months, I am genuinely pleased as parents pose their freshman for one last parting shot so that they too will have the image to reflect upon when they go home alone.  The scene brings a small smile to my face, a tiny tear to my eye and the tug on my heart.

 

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Battling It Out on the Court

A new movie comes out this week based on the 1973 tennis match between women’s tennis legend Billie Jean King and former men’s pro player, Bobby Riggs.  Both the movie and the now historic match is known as the “Battle of the Sexes” that pitted the athletic talents and skill of a woman, Billie Jean, against those of her male competitor.

Billie Jean King at Virginia Slims Tennis Tournament, 1975

But before Billie Jean and Bobby played took to the court on Sept. 20, 1973 for their televised match before 30,000 live spectators, there had been a far lesser known, less viewed such match in my small Kansas hometown.  I know because I was one of the two on the court facing across the net my high school’s boy’s tennis champ, John Hoffman.  John probably doesn’t even remember this less publicized event. Neither did I until I heard an interview on television’s CBS Sunday Morning with King.

I started playing tennis in junior high school, learning to swing a racquet and hit a ball by batting it against the concrete block wall of the gas station next door to my parent’s motel with a chalk mark indicating the height of the net.  To practice my serves, I’d go to the high school tennis courts and hit ball after ball over the net into the service court on the opposite side. On one of these occasions, I noticed an older, thin, almost gaunt gray-haired man, leaning against a black Cougar car with hounds-tooth checked rag top, watching me practice.

One of the few photos of me competing on the court was taken during a tournament in Scottsdale, Az. in 1974.

The man introduced himself as Jimmy Dodds. And Jimmy, formerly a tennis pro and coach in Los Angeles (Beverly Hills to be specific), took me on as one of his protégés. I will write another future blog post about him.

Under Jimmy’s tutelage and inspired by women tennis stars of the day, especially Billie Jean, I became a better and better player until I was competing in and winning local tournaments. I would have been on the high school girls’ tennis team but there were no girls sports teams then in that pre-Title IX era. Instead, I had to play for the local community college whenever I could or play against the boys, which I often did.

Women were making their voices heard about wanting the same recognition and opportunities men received in the workplace as well as everywhere else. And none of them were stronger on the tennis court than Billie Jean King. Billie Jean campaigned for equal prize money for women in the pro tournaments and led the efforts to establish a women’s pro tour.  She became the first President of the women player’s tennis union when it was founded in 1973.  And, with her then husband Larry King, created the Women’s Sports Foundation and launched the magazine, womenSports, for which I would later submit and write a feature or two.

Billie Jean King and Margaret Court head back to the court after a brief court side breather between games at a Virginia Slims Tennis Tournament, 1975 in Phoenix.

So it was against this early 1970s background that I stepped onto the court with my Wilson aluminum frame racquet to play a match against John.  The challenge came as the result of a friendly feud between the high school’s two gym teachers, Coach Martin and Ms. Stokes.  Ms. Stokes had compete confidence in my tennis talents and I don’t think cared much for Coach Martin. The exact details now escape me but at some juncture, Ms. Stokes told Coach Martin that she thought I could beat John on the court. Martin, being a bit of a sexist himself, of course scoffed at the idea. But when it was suggested that the two of us duel in a tennis match, Coach Martin accepted. I don’t remember that John and I had much to say about it except to agree to participate. I had, after all, played a lot with and against John at the City Park tournaments and open court nights.

The match took place one afternoon after school, I remember. Few, if anyone was there to watch except Janine and Coach Martin. John had a strong, fast serve and I always felt fortunate to be able to return it, let alone place the return shot somewhere strategically on the court.  He had a lanky body that disguised his muscle strength but was perfectly suited for tennis, and golf, the other sport he enjoyed.  Plus he was smart, (he was one of our two class valedictorians) and understood game strategy so that his was not just a game of power.

Billie Jean King returns a shot at the Virginia Slims Tennis Tournament which I covered as a young reporter in 1975.

We both played hard.  I honestly don’t remember much about the game itself except that it was hot.  I lost. I don’t recall the game score or whether we went three sets or not. There was no press coverage, no cheering crowd, no book deals afterwards. Women’s lib gained no victory that afternoon. I’m sure Coach Martin gloated but I didn’t feel that I had let anyone down. I had played my best although when it came to tennis, I was pretty hard on myself when defeated.

John and I remained friends. He went on to become an attorney.  I became a journalist and worked for a couple of metropolitan newspapers in Phoenix.  Phoenix is and was a mecca for tennis. I continued to play while living there. Occasionally, I covered women’s tennis for the suburban daily that I was writing for at the time. One day, the Virginia Slims women’s pro tennis tour came to town with, you guessed it, Billie Jean King. I was sitting court side to report on the action. Billie Jean had already played and won her big match against Bobby Riggs.  Women’s tennis was taking off at lightening speed.  After her match against Margaret Court, I snagged an interview for the paper with Billie Jean.

Billie Jean King and Margaret Court Smith shake hands following their match at the Virginia Slims Tennis Tournament in Phoenix in 1975.

Even before The Battle of the Sexes, Billie Jean was winning as many battles in women’s tennis as she was trophies. Her willingness and courage to demand that women be treated equal to men in the sport encouraged others of us facing similar challenges in our own careers. So while the movie about her famous match and endeavors off the court is just now coming out, her story inspired a generation of women, young women then, to stand up and speak out on and off the tennis court.

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Experiencing Totality Totally Worth the Time and Effort

“Mom, it won’t be back in the same place for another 375 years,” my son, Tim, was telling me in a phone conversation just a few days before the August 21 solar eclipse. The significance of the astronomical event was punctuated by the urgency in his voice. “We’ve got to go see it.”

I had considered making the trip south to Oregon, where my cousins live in Albany, almost directly in the charted path of the solar eclipse and where totality would take place.  After all, how likely was I to be this near a total eclipse again in my lifetime? But the prediction of the traffic snarls, shortages of food, gas and water as well as my own work schedule caused me to abandon my plans. Tim convinced me otherwise and offered to fly from New York to join me.

An essential to watching the solar eclipse, protective glasses.

I kicked into last-minute planning mode; first contacting my Oregon family to ask if we could stay at their home, postponing appointments on my calendar, reading what was required to photograph it, picking up food to take along on the five-hour drive south and even asking my uncle to purchase ten gallons of gas for me in case the anticipated fuel shortages came true.

When Saturday arrived, I hit the road, stopping in Seattle to pick up my son at the airport then continued on towards Oregon. The drive was uneventful and we arrived that evening in time to take part in a ‘name that tune’ challenge with my cousins while sitting around the backyard fire pit at their home.

Scouting locations for the eclipse, we visited Buena Vista park, a picturesque setting but not the location we chose for our viewing experience.

Early Sunday morning, Tim and I went out to ‘scout’ locations that might be best to view the eclipse. Tim had already picked out on possible spots on the internet. We headed off, driving north on country roads from my cousin’s home.  A few minutes later, we passed by an open farm field where the horizon could be seen without any trees blocking the view (not an easy thing to find in Oregon).  We wanted to be able to see the horizon line because at the time of totality, it would appear like sunset all the way around.

We drove on to a little county park, Buena Vista Park, outside the tiny village of the same name.  The unincorporated town, as far as I could tell, exists primarily as a toll ferry point to cross the Willamette River.  A few campers were in the riverside park enjoying one of the last summer weekends. Although a very picturesque, clean and relaxing spot, not ideal for eclipse viewing due to the tree line on the opposite of the river.  We moved on.

Back on the country road, on our way to Independence, six miles away, we pulled into Hilltop Cemetery. It was empty of visitors except for a woman walking her dog and two men studying some of the older gravestones. The view was encouraging. True to its name, Hilltop Cemetery  was situated on a hill that overlooked the beautiful Willamette Valley that stretched below.  So far, this was the best vantage point we had seen.

Independence Oregon is a historic town with quaint structures such as this little church.

The cemetery, established in 1849, serves nearby Independence, a charming little town of almost 10,000 with a two-block storefront downtown built in the late 1800 and early 1900s. As we drove into town, it was obvious a surge of eclipse viewers were expected as entrances to parking lots, driveways, school grounds were blocked. A big sign with an arrow pointed to “Event Viewing.” We stopped just long enough for me to take a photo of a historic church.

After searching for one more spot, which we never found,  we agreed that Hilltop Cemetery would be our choice for Monday’s eclipse. It was directly in the path for totality. The next morning, we hopped back into the car, along with my other son, Marshall, and his friend Trevor, visiting from Los Angeles.

During the eclipse, my sons and friend study the effects on their shadows. You can see the unusual quality of the light that occurred. This photograph has not been color corrected or adjusted in any way.

The last total solar eclipse viewed from contiguous United States was on Feb. 26, 1979, according to NASA. The longest total solar eclipse of this century, lasting 6 minutes and 39 seconds, occurred on July 22, 2009 crossing Southern Asia and the South Pacific. Totality in our location would last nearly two minutes!

My sons and I with our eclipse glasses pose for a family photo at the eclipse.

The last time a solar eclipse passed the U.S. from coast to coast was on June 8, 1918 and it would be 2045 for it to happen again.  No wonder millions of Americans, like myself and my two sons, were so excited for the chance to see it.

As television’s CNN reported: “According to NASA, this is a ‘celestial coincidence,’ as the sun is about 400 times wider than the moon and about 400 times farther away. From certain vantage points on Earth, the moon will completely block the sun. This is called totality.” We were about to be lucky enough to witness it.

Some eclipse viewers brought their breakfast with them along with their camp chairs.

Hilltop Cemetery had come alive with people who, like us, tossed their blankets, set up camp chairs, laid out beach towels for the eclipse viewing.  I could set up my cameras in hopes of capturing images of what was likely to be a once-in-a-lifetime event for me. The atmosphere was festive. People had brought their kids, their cameras, their eclipse glasses, their breakfasts.

With everything in place and ready, we donned the eclipse glasses that Tim had purchased in New York. (Local outlets in Oregon and Washington had run out several days before.) The suspense built as the moon first kissed the edge of the bright sun. As it slowly progressed, more and more people tilted their heads up towards the sky. Their chatter became anticipatory and hushed. I made the first of my exposures using my film camera which didn’t require the special solar filter that any digital or electronic device did.

My two Nikons fitted with atop tripods with 300 mm lenses and shutter releases were ready to photograph the eclipse. Neither had the solar filter as it’s possible to photograph without during totality and film cameras do not require one.

Gradually, the dark shadow of the moon eased across the sun’s face.  As it did, the temperature became noticeably cooler. I retrieved my jacket from the car. Someone pointed to the two vultures that swirled overhead. We hoped it wasn’t an omen of things to come. The light took on an odd quality, almost grayish-yellow in color, as if the sun had been shrouded by heavy smoke from a large wildfire.  Our shadows looked oddly muted and ashen, softened by the vanishing light.

In my image of the solar eclipse’s totality you can see the reddish glow of the sun’s chromosphere.

And then–totality! A spontaneous cheer went up from the cemetery. People clapped for the moon’s performance. I snapped a few more photos both of the eclipse and the view from the cemetery. I expected to be thrown into total blackness but it more closely resembled twilight just before the sun’s last light disappears. A couple of stars twinkled in the darkened sky. The eclipse viewers gazed in wonder at what they were seeing. Then, it was over. The bright flash of light, known as the diamond ring effect,appeared as the moon began to retreat.

During totality, our surroundings looked like twilight with just a sliver of light across the distant horizon.

We stayed, as did most of those gathered, until the sun was once again fully revealed, as if people thought staying could prolong the moment. And what a moment it was. The eclipse was a reminder of nature’s power, something so extraordinary that people will travel hundreds of miles, some even thousands, put up with hours of clogged traffic on the journey back to experience two minutes worth of daylight turning into darkness.

The drive home that night took more than twice the time as usual. But I would do it again because it created a memory for me with my sons, family and friends that I will talk about for the rest of my life.

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Fun at the Fair

I hadn’t planned to write a post today but then I remembered that the Northwest Washington Fair opens today in the little town of Lynden, just 15 miles north of Bellingham.  It’s a great little fair, not so big that you can’t get to all the things you want to see, do or eat in an afternoon or evening’s time, not so small that there’s not enough for everyone in the family.

The Northwest Washington Fair draws people young and old, big and small, like these two little brotherly cowpokes.

I wrote once before about the fair (Fair Enough) in 2013.  I have fond memories of taking my three sons there when they were young. In fact, we went to the fair even before we moved to Bellingham, as visitors from Los Angeles up for a summer vacation.

I didn’t make it to last summer’s fair but plan to be there this year with a friend with whom I’ve gone before. When I went two summers ago, it was with my cousin from Los Angeles and my niece from Kansas in town for a wedding. The fair just happened to coincide with the wedding dates so the three of us took an evening and headed up for some fair fun.

Among the popular exhibits are the handmade quilts.

The fair draws people from all over the North Puget Sound area, Lower Mainland B.C. in Canada and far-flung visitors, such as my family, here for vacation, family visits or events. Just the drive from Bellingham to Lynden sets the tone as I take a back road through the rolling farmland set against the majestic Mount Baker to the east. In the air are the rich, earthy smells wafting from the farms so that 20-some minutes later when you pull into the parking lot at the Lynden fairgrounds, you’re already in “fair mode.”

As night falls, the candy-colored lights of the carnival rights brighten the fairgrounds.

I like to go in the early evening and stay into the night to see the shift from the day crowd to the evening fairgoers, a lot of whom become young, high-school age couples as the night starts to set in and the multi-colored lights of the carnival begin to shine.

The beautiful horses at the fair are one of my favorite stops.

In the large barns too, where the livestock exhibits of cows, horses, goats, sheep and pigs are installed, the activity changes as the animals finish up their dinner then start to settle in for the night. Groups of young 4-H’ers sit on their camp chairs after feeding their entries to talk, laugh, share stories and answer questions from curious viewers. I especially love the horse barn where the mighty Percheron and Belgian equines tower over the humans strolling through. It’s humbling just to stand next to, but not too close, to these hefty beasts.

Then there’s the goats, another favorite stop for me. I love watching these mostly friendly little kids clamoring over one another, crowding out each other to check out the people trying to pet them or tussling over a leftover tidbit of food. I’m easily entertained by their playful interaction.

There’s nothing like BBQ hot and sizzling from the fire at the fair.

Don’t forget the food, things you really shouldn’t eat but always do at the fair:  gi-normous ice cream “moo-wiches” from the dairy women’s booth, corndogs smothered in relish and mustard sold by the Boy Scouts, meat that’s been slowly cooked over an open-pit from a local BBQ-cook or corn on the cob lathered in butter from the Young Life church group,

A baker squeezes whipped cream on the traditional tasty Dutch treat, poffertjes ,is one of the fair’s food highlights. B

And poffertjes!  As the town of Lynden was settled by Dutch pioneers, much of that heritage is still found there not only in their places of worship and traditions (they have an annual Christmas parade with Sinterklaus) but in the food.  Poffertjes is a delicious Dutch dessert that’s a puffy pancake sweetened with powder sugar. Fairgoers can sample one of these tasty treats but expect to wait in line as the bakery booth queue is always one of the longest at the fair.

I’ve not even mentioned all the crafts exhibits, or the small animals or the small stages of entertainment by largely local performers. Whew! There’s so much to do.  But if you plan your time well, you can usually manage to take it all in before wearily, but happily and well-fed, heading back to the car for the short ride home. I’ll be there this year, my camera in hand because it’s one of my favorite places to photograph  So if you  go, look for me. If you can’t make it this year, I hope you’ll set aside a trip to go another time because it truly is one of our country’s best summer traditions.

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Expressing My Personal Perspective through Wedding Photographs

Summer is the season for weddings. They start in May and for every weekend through the end of September, caterers, photographers, florists, musicians, DJs, and planners are booked solid. Two weekends ago, I attended, for instance, to my cousin’s daughter’s wedding and two weekends before that I went to the wedding of the daughter of a close friend.

Sometimes it’s hard to get an image of the wedding couple sharing what seems to be an intimate and private moment. They were between photos with the ‘official’ photographer, when I saw them caught up in laughter and snapped this image.

As a the daughter of a professional photographer, I spent countless weekends at weddings assisting my Dad behind the camera. (This was a big help when it came to planning my own wedding years later because by that time, I had been to and seen so many weddings that I knew exactly what I wanted to do for our own.) The routine was a bit different then. We could shoot three weddings in one day–morning, afternoon and evening– with either myself or one of my brothers finishing up at one wedding while my Dad went to start the next.

My cousin beamed with pride when he had his Father-Daughter dance at his daughter’s wedding. I had my Nikon pro camera with me that evening and good lens so I managed to snag this image of him when he turned on the dance floor with his daughter, the bride. Sometimes, it’s not all about the bride.

That era ended with photographer Dennis Reggie in 1980, who Ethel Kennedy had hired to ‘cover’ her daughter’s wedding. Reggie, a photojournalist, took the assignment and then hit the professional photography speaking circuit to show and tell professional photographers all over the country how he did it.  I attended one of these sessions and knew then that the art of wedding photography, as I had learned it from my Dad, was changing.

The mother of the groom is usually much more relaxed and available during any wedding but is sometimes overlooked n the ‘official’ documentation. I caught Sheila at a moment when no one else did.

When digital cameras were introduced, it changed yet again because photographers could capture literally thousands of images at the ceremony. They soon discovered that this wasn’t such a great idea because clients were overwhelmed by that many images. Too much of a good thing, you might say.

Wedding photographers have since trimmed it back to a more reasonable delivery but some still present as many as 1,500 images. Think of the editing process entailed in cropping, adjusting color, retouching, adding special effects and eliminating  all those images. The post-production often takes longer than the 12 hours wedding photographers now typically spend photographing the event. I’m not sure even National Geographic magazine photographers turn in that many images to their editors.

Toasting the Bride and Groom
Taken with my pocket point and shoot, I raised a glass to toast Yuliya and Yama at their wedding and took this image while I did,

While I rarely accept wedding assignments these days as a professional photographer (except for special clients and smaller ceremonies), I almost always take one of my cameras with me whenever I go to a wedding because I, like you, enjoy having a visual memory of that day, particularly when family is involved.  Usually I take my pocket point and shoot, or my bigger but compact trusty Canon (yes, I do own one Canon), instead of one of my professional Nikons. I seldom use my mobile phone to take the pictures even though some phones images are terrific. But when it comes to preserving those images in the form of prints (which I still make and encourage you to do) or printed albums or books, cameras produce the higher quality high-resolution images you need.

My friend the mother of the bride, was way to busy the day of her daughter’s wedding to stop for many photos, but I managed to get her beside the ‘cookie instead of cake’ table during the reception.

For me, the images I capture on that day are personal and often are not the same as those the ‘official’ photographer is shooting.  That’s because while the hired gun is busily photographing every moment of the bride and groom and the wedding party, I’m focusing on my family and friends who are there, and the moments that capture my eye from my point of view as a guest. It’s something you can do too but you must be mindful to respect the working pro so as not to get their way as they attempt to capture the ‘perfect’ photo of ceremonial kiss,  the cake cutting, send off or formal portrait of the bride and groom.

From my seat. I was able to get the groom, Matt, and one of the bridesmaids boogeying during the processional. Note the photographer in the background, Matt s brother, the officiant, and the mother of the bride enjoying the moment on the left. I love this scene because of its spontaneity.

There are ways to get those same images, from your own vantage point. I like to find a seat on the end of a row where, if I want to stand during the ceremony to grab a quick shot, I won’t block anyone’s view. And while the official photographer is off shooting the bride and groom immediately after the ceremony, you can zero in on the family, the cake table, the altar decorations, whatever it is that attracts your eye and you want to remember.

Ringbearer Brody stands beside the table bearing the Bible and center candle that belonged to my aunt. The table, also my late aunt’s, served as the altar at my cousin Anna’s recent wedding.

Sometimes, it turns out that the images I’ve captured are ones that my family or friends also want because unless the bride and her mother (or whoever plans and directs that day) specifically point out the family member who’s never around, the best friend who traveled across country, the arrangement or setting that has special significance, the official photographer will never know to include it in their shooting list.

My aunt and uncle with my cousin Barry at his wedding reception is a special image. Only 18 months later, my aunt passed away from complications of dementia.

As a guest and/or family member, I have a history and relationship with the people gathered for this memory-making day so I know things others won’t and that is  reflected in my photographs.

I took this of Yuliya and Yama with my compact Canon while the ‘official’ photographer was shooting on the other side. Later, I used Photoshop to improve the exposure, give it a painted appearance and heighten the romantic feel of the image.

I love today’s style of photojour-nalistic wedding photography. I also love being artistically creative with the images I take at these ceremonies. But what I really love is the memories they bring to mind of the people, places and times that are unique and meaningful to me and my family.  And that’s essentially what wedding photography, whether from a hired pro or personal photographer such as myself, should be.

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Violins, Nopales and Kansas Connections

This was supposed to be a piece about the fabulous cactus salad that my friend Juan Ramirez cooks up.  But during the course of putting it all together the other evening, the topic turned to violins.  Specifically, his violin.

 

Composer Ramirez with Bellingham Festival of Music orchestra conductor Michael Palmer after a rehearsal for his “Suite Latina” at the 2016 festival.

A composer and violinist, Juan has been in residence in Bellingham for the past three weeks where he has played in the first violin section with the Bellingham Festival of Music orchestra.  Last year, his work, “Suite Latina”, was performed by the orchestra with the Calidore String Quartet as soloists. The music evokes the sensuous dance rhythms of the composer’s native Mexico. The piece was originally written for string quartet and first performed at the Amelia Island Chamber Music Festival in 2001. Juan adapted it for quartet and orchestra, especially for the Bellingham Festival where it was given its world premiere and a standing ovation from the audience.

The 2016 festival audience gives a standing ovation at the world premiere of Ramirez’ “Suite Latina” for string quartet and orchestra.

But the celebrated composer is also known for culinary artistry as well, with his specialty being his native Mexican dishes, especially his mole, made from a family recipe.  It’s a recipe that takes him three days to concoct and includes much grinding and pulverizing of ingredients using a blending machine from India in order to get just the right texture and consistency.  Most Americans I know think of mole simply as sauce with Mexican chocolate as the key ingredient.  Chocolate, specifically cocoa, is a main ingredient in Juan’s family recipe, but it is only one of 18 ingredients that go into his tasty, slightly spicy sauce.  Adding his mole, which is more pasty than the runny stuff usually poured over standard Mexican fare, to homemade enchiladas or to chicken turns the ordinary into an extraordinary treat!

Juan serves up his mole dish.

I watched Juan in my kitchen warming the mole on the stove and assembling the equally as delicious cactus salad made with nopales, or the big, flat paddle-like leafs from the prickly pear plant, that we began talking about violins.

I asked if he ever had any trouble traveling with his violin on airlines, given the recent headlines about one professional violinist whose instrument the airline, United, insisted be checked as baggage instead of carried on board with her.  “Not since the new laws,” Juan answered referring to the FAA rules revisions in 2015.

Then I asked where, when and how he found his violin.  “That’s a good story,” he said with a twinkle in his eye.  His violin was made in 1748 by Carlo Antonio Testore of the Milano school of violin makers who were crafting their instruments in the late 17th and early 18th centuries.  It’s uncertain exactly how it came to America, but it was the possession of a plantation owner in Macon, Georgia prior to the Civil War.  He gave it to one of his favorite slaves who, upon the plantation owner’s death, “laid this instrument away as a keepsake,” according to a 1916 letter detailing the history.   The violin became the slave’s son, after his father died. The son had moved to the small town of Pratt, Kansas where he worked as a train porter.

At the mention of Pratt, I stopped Juan and told him that I was familiar with the town, having grown up in Kansas.  What a coincidence, I thought, for a musician who lives in Atlanta and plays with the Atlanta Symphony Orchestra to be standing in my kitchen mentioning Pratt, Kansas!  But the story continues..

The beautiful tiger grain of the back of Juan’s Testore violin is as rich-looking as the sound it produces.

The son, unable to pay a debt owed to F.A. Erwin, the writer of the 1916 letter, turned over the violin as payment. Eventually the Testore ended up in a violin shop in Wichita, Kansas.  Juan was a student at Emporia State Teachers’ College (now Emporia State University) in Emporia, Kansas (also a place with which I am very familiar) when he visited the Wichita shop to have his bow rehaired.  The shop owner took the violin out of its case, Juan said, and handed it to Juan to play.  “I fell in love with it and the sound,” he recalls. But being a college student attending Emporia on a scholarship, he had no money with which to purchase it. The violin went back into its case.

Juan transferred from Emporia to the New England Conservatory of Music in Boston. When his teacher told Juan he needed a better violin he knew exactly the one he wanted. But when he contacted the Wichita violin shop owner Juan was told that an 80-year-old doctor had bought it for his son who had decided to take up the violin.  Juan was disappointed.

The composer/violinist proudly holds his cherished Testore violin.

Three years later, the violin shop owner notified him that he once again had the Testore violin. The doctor’s son, it seems, had switched from violin to accordion, and the violin was returned to the shop. Elated by the news, Juan dressed in his best clothes and walked down to the bank to ask for a loan in order to buy his prized instrument.  With the money granted, Juan booked a flight and headed back to Wichita where the shop owner took the violin out once again and handed it over to Juan.

It has now been his violin for nearly 46 years and he’s not likely to part with it anytime soon.  You might say the story has come full circle.  Juan plays it as a violinist with the Atlanta Symphony Orchestra in Atlanta, Georgia, only a little more than an hour’s drive from Macon where the instrument first was traced.  And in 1988, Juan took it with him to Milan, the city where it was made, and played it in the city’s cathedral.

The cactus salad is ready to eat!

His story wrapped up just as the cactus salad was ready to chill in the refrigerator. Those same hands, which so nimbly had moved all over the fingerboard during the playing of music by Leonard Bernstein in the concert the night before, now turned to the delicate task of rolling enchiladas drizzled, inside and out, with Juan’s grandmother’s mole. That is another story.

 

 

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Fourths Full of Fireworks, Family and Friends

This morning was quiet when I awoke.  The stillness wouldn’t be that unusual for a holiday morning except for the fact that this was the Fourth of July, the U.S. day to celebrate its independence. When I was a kid, that meant starting the day off with a bang, literally, as my brother and I hopped out of our bed, threw on some clothes and raced outdoors to light what would be the first of many firecrackers that day.

My son, Marshall, ready to celebrate with his string of Black Cats.

Times have changed as setting off individual fireworks have been banned in many communities, such as my own, leaving it to the pro pyrotechnicians to provide a choreographed aerial night display. For the most part, it’s a good thing although I do miss seeing kids faces light up as they swirl the glowing wands of sparklers. And I loved the ground fountains that burst up with sizzling flares of color.

But the silence of the morning made me think of all those wonderful Fourth of July holidays past here in Bellingham.

A fireworks show on the front yard of our house.

I smiled remembering nights when my own middle-school aged sons gathered up their collection of fireworks, call us all out to the street in front of our home and set them off to their own choreographed show, complete with patriotic music blasted from a boom box that had been turned up to full volume.

Then there was the family barbeques at our friends’ home who lived then on a local lake.

The kids line up for hot dogs right off the grill.

Food was plentiful, with everyone bringing baked beans, deviled eggs, hot dogs and hamburgers, salads, pies, cookies and ice cream, all pretty much considered to be ‘traditional’ American Independence Day favorites.  Moms and Dads would talk and drink beer while we watched the kids leap off the end of the dock into the still chilly lake water. A few others would hop into the kayak and paddle a short distance out from the shore where they would still be within sight of parental eyes.

The kids take a break from swimming and kayaking to eat a Fourth of July picnic.

And then, of course, as night began to fall (nearly 10 p.m. here in the Pacific Northwest), the homemade fireworks show would start with the explosions from Roman candles being directed out over the water.  When it was over, we bundled up the leftovers and our sleepy-eyed kids and headed home.

Firing off the Roman candles from the dock.

Later, when our friends moved to a home on the bay, we did the same thing sitting on the beach, watching the sun sink as he dug into the delicious apple and cherry pies that had been baked especially for the occasion. Of course, we always had a fire going so that we could make s’mores–those wonderfully gooey treat of melted chocolate and toasted marshmallow squeezed between two layers of graham crackers. And the fire also kept us warm because Fourth of Julys here can be chilly, if not rainy.

A festive pie for the Fourth of July.

I recalled the more recent holidays when our sons, now grown, were not home to celebrate or, if they were, preferred to head off with friends to watch fireworks than join the ‘old folks.’ One memorable Fourth was spent out on a boat in the bay enjoying the company of friends from the annual summer music festival and viewing that night’s light show from the water. Quite an experience. Still another found us sitting nearly directly beneath the big blast over the harbor as we sat with another couple on the terrace of a shore side restaurant, savoring the food served up for the special evening while overhead the ‘bombs’ were bursting in air.

The Fourth of July on the boat in the bay gave us a spectacular view of the fireworks show that night.

More recently, we’ve headed over to a friend’s home late in the day for a potluck on their deck.  After dessert, we settle into one of their patio chairs, usually with a blanket close at hand, and wait and watch for the big fireworks spectacle, sponsored here for years by one of our local markets. They have an excellent vantage point from which we can see it all, including the show also being staged in nearby Blaine, just up the coast and the individual efforts from the Lummi Nation across the bay.

Happy Fourth of July. Long may our Star Spangled banner wave.

While the colorful aerial pyrotechnics are fun to watch, it’s mostly the company of the friends and family we are with that really make the evenings fun and memorable. It’s that feeling of fellowship, of sharing a special day with people special to you, some who you may only see on this day once a year. And that’s what I remember most about this holiday. I hope your Fourth of July is equally as memorable and as full of family and friends as it is of fireworks.

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A Festival of Flags

Today is Memorial Day here in the U.S.  It’s celebrated with family get togethers, barbeques, concerts, parades, races, car shows, about anything you can think of to bring people together. Originally, it was created to honor those who served in our nation’s military and that’s still the real reason for the holiday, which, over time, has come to mark the start of summer in most of the country. (Summer comes about a month and a half later to the Pacific Northwest.)

But in small towns across America, people still take time to salute those who served and they do it in ways that aren’t the big spectacles you find in places like Washington D.C. or our other large metropolises.  To me, those small town commemorative services seem more genuine and reflect the true heart and soul of this country. Just ordinary people paying tribute to fathers, sons, uncles, aunts, mothers, daughters, brothers, sisters and cousins who gave their lives in military service to this country.

More than 1700 flags line the paths of the cemetery on Memorial Day weekend.

Northwest Washington state, where I live now, is nestled in a corner of the U.S. considered to be progressive politically and not so prone to an overabundance of patriotic fervor even though the state has a fair number of military bases located here.  Yet we have one of the most moving Memorial Day displays I’ve ever seen.

The Festival of Flags is sponsored by the local American Legion post and a local funeral home. It takes place at noon at the Greenacres Memorial Park located in neighboring Ferndale. I only just discovered this ceremony a couple of years ago when a friend of mine mentioned that she was attending. I suspect that many local residents, like myself, still aren’t aware of it.

A quiet bench offers a place for people to reflect.

The three-hour event starts at noon with food and music, this year provided by the barbershop group known as the Mount Baker Toppers. The opening act is followed by a short remembrance speech delivered by a military officer from somewhere in the region. This year’s ceremony will close with the unveiling of a new World War I memorial and the release of a dove, a nod to the peace that never quite seems to last for long in today’s world.

However the true highlight of the event is the more than 1,700 American flags that flap in the wind and line the pathways of the beautiful cemetery grounds throughout the Memorial Day weekend.  I went out to the cemetery two years ago just to have a look.  It was the year after my Dad had died–hard to believe it’s now three years since his passing–and I felt going out to the cemetery, particularly on Memorial Day, was a way I could remember him and pay my respects since I couldn’t visit the little country cemetery in Kansas where he and my mother are buried.

My first glimpse of the Festival of Flags was from the rain spotted window of my car,.

Memorial Day was rainy and dreary that year. But the day brightened for me when I pulled off the road, drove through the cemetery gates and caught my first view of the red, white and blues through the rain spotted window of my car. I sat quietly in my car reflecting on the year before while hoping that the rain would let up.

The gentle breeze kept the flags furling.

Eventually it turned to a light drizzle so I grabbed my camera, hopped out and began to photograph the flags.  Capturing the flags, so to speak, was a challenge. There were so many. A gentle breeze furled and unfurled the Star Spangled banners as a photographed. I pretty well had the cemetery to myself, except for a handful of people who had come early to set up for the ceremony that followed.

I walked through the forest of flags, not having to say a word to anyone, just me, my camera and, I felt, my Dad.  The time was a welcome break from the usual Memorial Day madness and just what I needed to personally honor the day. Whatever you do this day, I hope you’ll find a way to personally give tribute to those you love who may have given their lives or served time in our armed forces.

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The Last Game

When we moved to the Pacific Northwest from Los Angeles nearly 21 years ago, we were Kings hockey fans. We became hockey fans when the great Wayne Gretzky took the city by storm and turned Los Angeles into a hockey town. But with the move north, we soon started attending the games in Vancouver, B.C., just 45 miles across the border and soon traded our Kings sweaters for Canucks colors.

At the time, we had three little boys, one of whom was already playing hockey and a second who began not long after we relocate. Travelling to Vancouver for a hockey game became a special family outing. The boys quickly memorized the names of all the players and, in the case of my oldest son, even recognized the referees.

Together with two of my sons who, like me, became Canucks fans at one of the games we attended together.

Gradually, we learned the best route into downtown Vancouver where the arena is located, the places to eat before or after the game if we didn’t want stadium food, the time to leave to insure we arrived in time for the first face-off, and, most importantly, where we could park the car for without paying a hefty $20 to $30 lot fees near the arena. For a while, we took the Sky Train in and out. And after the Olympics in 2010, the adjacent neighborhoods changed bringing new restaurants, shops and traffic patterns, especially around the Olympic Village which completely revived that decaying area.

A pair of our tickets from this year’s season. Will miss our seats.

It wasn’t long before we bought season tickets located in the upper level, attacking end of the ice near the gate and up high enough so that the protective netting above the glass didn’t interfere with my camera angle. I became pretty adept at shooting the action on the ice from far away with my point-and-shoot cameras because cameras with removable lens aren’t allowed inside. One of my best shots was the one when Alex Burrows fired a game winning goal in overtime past the shoulder of the Chicago Blackhawks goalie to cinch the play-offs for the Canucks and send them to the Stanley Cup finals.

I captured the winning shot by Alex Burrows that sent the Canucks into the Stanley Cup Finals in 2011.

There are other memories as well.  Like the New Year’s Eve we took the boys for the then traditional game against Philadelphia and stayed overnight in the Vancouver Hotel. The next morning, the boys and I snuck into one of the hotel’s ballrooms where a party from the night before was still strewn with discarded party hats that we then put on our own heads and danced around. Or the year that my youngest son’s hockey team got to come out on the ice during the first period break and play a quick ten-minute game for the home crowd. After the Canucks game, they were escorted down to the locker room waiting area where they met Matt Cook, then a rookie, who signed autographs for them. My son later had Cook’s name stamped on his Canuck’s jersey. Cook was later traded but has since retired back to Vancouver.

I won’t forget the first time the Sedin twins skated onto the ice making their NHL debut. They’re now the ‘old men’ on the team but still dominating.

Of course, we won’t forget the first time that the Sedin twins from Sweden—Henrik and Daniel—first skated onto the ice to join the team. They were only 17 and celebrated their 18th birthday with a crowd of 18,000. The Sedins are now 36 and Henrik, who’s currently Captain, is the team’s all-time leading scorer.

We were there for the retirement of Markus Naslund’s number but missed the raising of Trevor Linden’s banner due to an ice storm. Our Vancouver friends got our tickets instead.

The 2016-17 season opening night line-up. In recent years, the Canucks games have become known for their production quality.

Then there are the not-so-great memories like the terrible incident with Todd Bertuzzi in 2004 who assaulted an opposing player whose injuries ended his career and Bertuzzi’s too with the Canucks. And Manny Maholtra who fans loved and who unfortunately received a serious injury to his left eye from a puck and lost significant vision. He’s now back as a Development Coach with the Canucks.

My son, Marshall, studies the game whenever he goes to see the Canucks. One reason he probably became such a good player himself.

There are memories too of the crowd cheering “LOOOOOOOOU” for goalie Roberto Luongo and the standing ovation the fans gave him upon returning from the Canadian Olympic Gold Medal win in 2010. Memorable too was the moment of silence our Canadian friends respectfully paid to the U.S. when the season opened after ‘9-11.’  The sympathy we received from our seatmates who knew we drove up for the games from the States was touching and overwhelming. And the friendship we developed over the years with Terri and son, Calum, who sometimes meet us for dinner, join us for a game or take our tickets when there’s a game we must miss.

Waving white hand towels, as my son demonstrates here, is a play-off game tradition that began with the Canucks.

We were there for the start of traditions such as twirling white hand towels above your head during play-off games. Or laughing at the antics of the ‘green men’, covered head to toe in green skin-tight body suits. Or watching the giant Orca blimp bob high around the arena dropping prizes to fans below until one night the remote-controlled balloon dive-bombed the crowd and lost its job.

Only once did we catch one of the T-shirts propelled by an air gun into the stands by Fin, the team’s Orca mascot. Once was I caught momentarily on the big screen when the camera turned on to our section. Never did we win the 50-50 cash raffle benefitting Canucks Place, the team’s charity for critically ill children. Never did Fin stick our head into its giant tooth-lined mouth as it did with other fans although I managed to snag a photo with the oversized Orca once during a period break.

During a period break, Fin managed to snag a photo with me!

The memories will continue but the season tickets will not. At least not for now. Last night was our last game as a season ticket holder. Forty games a season is just too many for us to make with our sons no longer around to The league also has changed the scheduling so that the Canucks, who must travel further than any other NHL team, are away for long stretches then back home to play games almost back-to-back. That much back and forth for us to Vancouver is more than we can fit into our already busy lives right now.

So as much as we hate giving up those great seats, we’re not taking them again next year. We’ll still go to games to cheer on our Canucks. But won’t be there as often and may not be sitting in ‘our’ seats. For us, it’s the end of a season and the end of an era. It’s been fun. Thanks Canucks!

The last game of the season marked the end of an era for my family.

 

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Vacation 1953

While sorting through some old photos yesterday, I came across a group of faded black and white 3×3 snapshots. They were photos I didn’t recall seeing before. I decided that they must had belonged to my aunt Imogene. I’m not certain how I ended up with them but they were tucked into an envelope with other, unrelated family photos.

Except for one, their reverse sides were blank. But on that one, in my aunt Imogene’s handwriting was the note: 1953 Vacation going to Bandon, Or., pictures taken at Colo. Springs Colo.  That was it.

The group passed through Dodge City, apparently, where they visited the legendary Boot Hill.

I looked more closely. I recognized my aunts Lavetta, Oleta and her husband, Joe, Imogene and her husband, Jim, and my uncle Austin.  In 1953, they would have been in their 30s and late 20s. Uncle Austin might have just been back from the Korean War, as was my Uncle Joe who had already served in World War II. I am not certain that my aunt Lavetta was married yet. Were they traveling out to attend my aunt Phyllis’ wedding in Bandon, I wondered? Bandon was where my Grandma had moved after leaving Missouri where all her children were born and grew up.

Where did they stop for this picnic? Was it lunch or dinner? Why the ketchup bottle?

How special to look back at the aunts and uncles I knew and loved. They were so young, so unaware of what was yet to come in life, having so much fun in these photos. The photos of them picnicking especially drew me in.  They sat together lunching, I’d guess, at a tablecloth-covered picnic table, drinking bottles of Coca-Cola and eating fried chicken. If they were travelling, the chicken was probably cold. A bottle of ketchup stood square in the middle of table. Did they have french fries too? I would have guessed that had potato salad but ketchup didn’t fit.

After the picnic, they took time to relax before hitting the road or at the end of their day?

I love looking at my aunts dressed in their short-sleeved cotton camp shirts tucked neatly into Capri pants. And I studied the shoes that they had kicked off to relax on a blanket that had been tossed on the grass after the picnic. They seemed in no hurry to get to their Oregon destination in these pictures.

Before boarding the funicular to ride to the top for a view of the Royal Gorge, my aunts and uncle stop for a photo.

They took time to go up the funicular at the Royal Gorge, or so it appears from one of the photos.  It looks as if they stopped at the Norbeck Wildlife Preserve, a 35,000-acre preserve in South Dakota where the photo of their backsides was made as they stood reading the preserve’s marker. Maybe that’s where the photo of the two married couples on the trip standing in an otherwise nondescript country was taken.

The small portion of the sign on the wall told me that my aunts and uncles had stopped at the Norbeck Wildlife Preserve on their drive to Bandon.

I studied the photos, trying to glean a story about their trip from them. As I did, I thought of my mother who, after retiring, spent a good portion of her time putting our family’s photos into albums and labelling many of them. It made me think why it is we take photos such as these on our various travels and what they bring and tell us when, years afterwards, we go back to look and remember those sojourns. In this case, I had only the photos from which to construct a story. How I would have liked to have asked them questions about that trip had I known about it before finding these visual memories.

Where was this taken? There’s no clue to tell me. But I laughed at the matching pants worn by my aunts.

My aunt’s photos made me think of my own travel photos and why I take photographs when I travel. Will my photos one day be discovered for someone else to enjoy, to relive the moment I did, to wonder how I felt, where I was going, what I did? More than just a testament that ‘I was there’, photographs like these found on a rainy Saturday  can take you back in time, can cause you to revisit the day, to remember the people you love, the places they went and the fun they shared.

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Christmas Card Photos Create Future Memories of Past Holidays

I had not planned to write a Christmas piece. But when I came across this photograph while working on my own Christmas cards earlier this week, I changed my mind. I intended to insert the photo into one of my brother’s Christmas cards but missed it in my haste to mail the cards.

Memories came rushing back as I was looking at this photo the other evening after discovering that I had failed to enclose it into the card.  I had just taken a family portrait last week for a client prompting me to think about the importance of our own annual Christmas card photo.  This was an annual event when I was growing up from my very first Christmas.

The annual Chistmas card family photo.
The annual Christmas card family photo.

This photo is more than just my parents’ Christmas card photo that year. Many memories are bound within the borders of this one image.  For instance, the photo was taken in my parents home. That door behind us led to the office of the motel co-owned and operated by my parents with my aunt and uncle.  I spent the first 16 years of my life living in at a motel. I never gave a thought to the fact that other kids didn’t live in a place that had ten guest rooms and a black top courtyard where my brother and I and my best friend from across the street played baseball games, held parades and rode around bikes round and round the evergreen tree that grew in a center planter.

The green satin dress that I’m wearing was made by my Aunt Marie, an excellent seamstress as well as cook.  I wore it in the wedding for a young Japanese couple–Aikio an Sojii–who were exchange students at the local community college and who were married in the Washington Avenue Methodist Church in town. I, along with my friend, Dru, were the candle-lighters.

The older of my two brothers, Richard, standing by my mother, was the ring bearer to Dru’s sister’s flower girl.  The suit and bow tie he wears was what he wore for the wedding too, maybe minus the white socks. This photo also shows how much my brother’s son resembles him. I have seen that similar look in my nephew.

The toddler on my mother’s lap is my younger brother, Brad. On the reverse of the actual photo, my mother had written: “Leon Crooks family – 12/64.” Brad was nine months old. My Dad took him into the studio and made a New Year’s baby picture of him wearing only a big smile a diaper and holding a bell. I am reminded how much my youngest son looked like him when he was that age.  The picture is still one of my favorites and I have a small wallet-sized print of it on display in my home.

My youngest brother is the New Year's baby in this studio portrait made in 1964.
My youngest brother is the New Year’s baby in this studio portrait made in 1964.

That rocking chair my mother is seated in was her Mother’s Day gift.  We had put a big yellow bow and ribbon on it, I remember, and surprised her with it after church that day. But when we came home, we learned that our prize-winning white Persian cat, Prince, who had one blue eye and one brown, had been run over and killed by a car.  It turned out that Prince was deaf, a defect often found in Persian cats with eyes of different color. I will never forget that Mother’s Day. I suspect my Mom didn’t either.

The print hanging on the wall behind my mother is one my Dad took of me sitting in Swope Park in Kansas City when I was four years old.  He entered and earned a merit with it in competition in his professional photographer’s association. I still own that print.

The big television behind us was a popular model at the time made by the now defunct RCA company. Besides the ‘big screen’ television, it housed a stereo turntable on one end with the control panel hidden on the other. No one makes anything like these electronic dinosaurs anymore.

And I couldn’t overlook the fashion statement of my Mom and Dad’s clothing. Although her fashion budget was tight and limited, my Mom always looked stylish.  I can’t see enough detail in the dress she’s wearing here to know for certain, but I bet she had purchased it at either Stephen’s Women’s Wear, the ‘upscale’ women’s clothing store in my hometown at the time, or Lane’s, which occupied a big retail space across the street from my Dad’s studio downtown on Main Street.

My Dad, of course, is wearing one of his signature bow ties.  My brother’s bow tie is undoubtedly a clip on, but my Dad wore nothing but the real deal.  When he passed away two years ago, those of us from the family attending his funeral, including myself, decided to each wear one of his bow ties as a nod to his trademark. Unfortunately, he had never taught any of us how to tie a bow tie. We had to find someone to show us how to execute the bow tie knot just hours before his service. Fortunately, one of my family’s lifelong friends, Pete Hughes, came to our rescue. I now can tie one on with the best of them. Also note the handkerchief nicely folded and peeking from his coat pocket. How often do you see that today?

Finally, since my Dad is in the photo, he obviously wasn’t the one tripping the shutter for this picture. I am certain that he had placed the camera on a tripod and had asked my aunt Marie, a pretty good amateur photographer, to press the shutter for him. Marie was often recruited for this task.

Your annual Christmas card photo may appear to be merely an image, but the picture truly is, to coin an old, time-worn phrase, ‘worth a thousand words.’ I’ve written nearly a thousand words here inspired by this singular photo when I had not planned to write anything this Christmas holiday. The photo unexpectedly stirred memories of wonderful times with my family.  And that, is a gift in itself. My wish for you is that you too will create future memories with a family photo of your own this holiday season.

 

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Going to the Chapel…

My husband and I were married 40 years ago today in what was once the First Baptist Church in Phoenix, Az. Today, the former church is listed on the National Register of  Historic Places.  I like to think that it’s because we were married there that it ended up on the registry.

We chose (mostly I did), to say our vows there because it was where my parents had been married in the same church.  Although many couples are often wed in the same church as their parents, especially if they live in the same town, neither my parents nor I was from Phoenix.  At the time of our weddings, we just happened to find ourselves in that city.

My mother and father oustide the church in Phoenix after their wedding.
My mother and father outside the church in Phoenix after their wedding.

In my parents case, my Dad, who had recently returned from World War II, was on the road with a trailer full of greyhound dogs. His oldest sister and brother-in-law raced greyhounds and travelled the country going from dog track to dog track. When my Dad came home, he was “in pretty bad shape,” as he said.  My aunt Nola and uncle Paul gave him a job as a trainer to help him put his life back together.  It meant hauling their greyhounds around the country to wherever the season was open. But before leaving his hometown of Parsons, Ks., one of my Dad’s other sisters, Gail introduced him to a girl with whom she worked with at the First Federal Savings and Loan and who she thought was “just right” for my Dad.  Her intuition was good and, as my Dad liked to put it:  “I knew she was the girl for me.”  In fact, just two weeks after they met, my Dad told his new girlfriend that if she didn’t marry him he’d rejoin the Army. Then he left with the dogs.

On their wedding day in Phoenix, my parents were pictured here, so in in love, in Phoenix' beautiful Encanto Park.
On their wedding day in Phoenix, my parents were pictured here, so in love, in Phoenix’ beautiful Encanto Park.

When he got to Phoenix, where there was a big greyhound dog track, he asked his sweetheart to come marry him there.  What a big decision for my Mom. Not only had she never traveled much further than Parsons from her tiny hometown of  Verona, Mo., but she barely knew my Dad.  She must have known he was the one for her too as she, then 25, and her oldest sister, Oleta, drove together to Phoenix. Soon after they arrived, the young couple was married in the chapel of the First Baptist Church in downtown Phoenix that stood at the corner of Monroe and Third Avenue.  They were married 65 years, until my Mother died in 2012.

Twenty-nine years later, Michael and I stood in the same church before a small group of friends and family to exchange our vows. I was working in Phoenix as a journalist, first as an intern for the Arizona Republic, then as an arts editor for the Scottsdale newspaper where my husband, Michael, also a journalist, and I met.

Michael and I exchange vows during our wedding in the santuary of the former First Baptist Church in Phoenix. The string quartet sits behind the candleabra on the left.
Michael and I exchange vows during our wedding in the sanctuary of the former First Baptist Church in Phoenix. The string quartet sits behind the candelabra on the left. My brother, Richard, then a professional photographer, captured our wedding on film for us.

When we decided to marry, we choose to do so in Phoenix where we had friends in common and where my extended family lived.  My parents once again traveled from Kansas to Phoenix for a wedding. By then, the church had vacated the building and had moved to another location. The City of Phoenix now owned it and housed some offices inside . The main sanctuary was no longer in use except for an occasional large meeting. The organ was gone and the altar had been removed. We obtained special permission to hold our ceremony there.

This style of wedding photography, marketed as 'misty's' was basically existing light exposures and popular when we were married. My father took this of us in the church on our wedding day.
This style of wedding photography, marketed as ‘misty’s’ was basically existing light exposures and popular when we were married. My father made this photograph of us in the church on our wedding day.

The sanctuary was thoroughly cleaned before we began decorating the aisles and front with the holly sent to me by my aunt Imogene in Oregon, her gift for my December wedding. The organ was removed when the church left so for music, the arts editor of the Arizona Republic, where Michael was now working, gave us a string quartet for our ceremony.  We hired a minister, someone I had recently interview for an article, and was set.

With my parents on my wedding day in the Phoenix church where we both were married.
With my parents on my wedding day in the Phoenix church where we both were married.

Although I don’t know for certain, ours was probably the last wedding to take place in that church.  The city continued to use it for offices for while after, but in 1984, a massive fire took the roof and gutted the interior. It remained structurally sound but threatened with demolition, a non-profit organization, headed by Terry Goddard a former Phoenix major and state attorney general, bought and saved it in 1992. Twenty-two years later, they had the money necessary to restore it.   Now, with the rehab just completed this September, it is being marketed to businesses for commercial use.

The church is now called the “Monroe Abbey” and is an imposing structure in downtown Phoenix. Built in 1929, its Italian Gothic style, designed by George Merrill, is architecturally significant in a city otherwise dominated by Spanish style architecture. “There’s no other building like it in the Valley,” Dan Klocke, vice president of development at Downtown Phoenix Inc. has said. “Because of its scale and its uniqueness, it could potentially attract a lot of visitors to downtown.”

Just married, we leave the church through the front doors, running through a shower of rice.
Just married, we leave the church through the front doors, running through a shower of rice.

A tenant already occupies the hallowed halls of a smaller adjacent church dubbed Grace Chapel, which is connected to Monroe Abbey but wasn’t structurally damaged in the fire. Others have leased space elsewhere within the huge 40,000 square foot interior.

For those closest to the project, the resurrection of the building represents more than just saving an old church, according to Downtown Phoenix Inc.“There’s a tremendous amount of flavor and place making and just a sense of who we are, where we’ve come from that is embodied in these buildings,” Goddard has said. “I think it’s tragic when they’re lost and I think whenever we can hold onto one of the monuments of the past – that’s something we should do.”

The First Baptist Church, known now as the Monroe Abbey, is one of Phoenix' historic architectural structures, shown here in this photo from the Poenix Business Journal.
The First Baptist Church, known now as the Monroe Abbey, is one of Phoenix’ historic architectural structures, shown here in this photo from the Phoenix Business Journal.

As advocates ourselves for the preservation of historic structures, we couldn’t be more delighted that the place where we and my parents were wedded has been given new life.  It reopened this year and it’s the best 40th anniversary gift we could receive.

 

 

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A Recipe to Remember Made with Pecans and Love

Americans celebrate Thanksgiving holiday this week by gathering with family and friends around tables set for a meal full of family favorites and traditional foods. The menu typically includes a turkey, cranberries and pie. The pie, considered to be the most traditional American dessert,  is usually pumpkin, apple or pecan.

My mother was the principal pie maker at our house: banana cream, lemon meringue, cherry, apple, rhubarb, pecan and, of course, pumpkin at Thanksgiving. When my mother’s dementia became so advanced that she could no longer live at home with my father, she moved to a care home. That left my father at home alone and without her there, he became the pie maker.  I remembered this the other day when I pulled out a package of pecans to chop and add to a batch of pumpkin pancakes.

My Dad didn't know I'd caught him taking a taste of the filling he'd just stirred up.
My Dad didn’t know I’d caught him taking a taste of the filling he’d just stirred up.

My Dad loved to stop on the drive between my hometown and a neighboring town to pick up bags of pecans, freshly picked from the nearby grove. He’d freeze the shelled nuts in plastic storage bags for later keeping out just enough for the pies that he planned to make for Thanksgiving.  I was home one year when he was baking his pecan pies for the upcoming holiday dinner.

“You don’t know how to make a pecan pie?” he said surprised when I admitted that I had never made one.  “Oh, it’s easy,” he said confidently.

He assembled his ingredients from the shelves in my parents small kitchen–corn syrup, sugar, vanilla, eggs, and of course the pecans. One by one he poured each amount into plastic measuring cups then stirred the filling together in the large green Pyrex mixing bowl. He took the two pie shells that I had bought at the store earlier out of their packages and set them next to the bowl of filling.

With a pile of pecans handy, my Dad begins the process of placing the nuts atop the uncooked pie.
With a pile of pecans handy, my Dad begins the process of placing the nuts atop the uncooked pie.

My mother always made her crusts from scratch. She wouldn’t have approved of the pre-made crusts. Her crusts were light and flaky because, as she explained, she avoided handling the dough as much as possible. As a kid, I watched many times as she gathered the crumbly flour and shortening mixture into a small ball wetting it lightly with tablespoons of water so that it would adhere. She’d lift it carefully onto the big wooden cutting board and gently pass her red-handled rolling-pin over and over it until she had flattened it into a circle. Then again, ever so gingerly, she eased it into the waiting glass pie pan that had been greased so it wouldn’t stick when baked.pie-man015

For my Dad, the store-bought crusts were fine. Easier and less mess, he thought. And they came with their own aluminum foil pans which my Dad thought were great.  I found this was funny given how much he took pride in his pies.

After scooping the soupy butterscotch-colored filling into the pie crusts he began putting on the final touches.  One by one, my Dad delicately laid pecan after pecan around the perimeter of the pie top with his thick, aged fingers, until the entire pie was covered with floating pecans. He placed each piece precisely and with love. Now to transfer the unbaked pies onto the cookie sheets, being careful not to slop any of the contents in the process. Mindfully, my Dad slid each sheet into the heated oven.

The last step--transferring the pies from the countertop to the oven.
The last step–transferring the pies from the countertop to the oven.

“See, simple,” my Dad said once the pies were safely on the oven rack.  It was a pie-baking lesson I’ve never forgotten. This was more than simple; this was precious time spent with my Dad, in the last years of his life, creating a fond memory that I now think of gratefully especially as Thanksgiving approaches.

I hope that as you sit down with your family and friends that you too will recall memories like my own to bring you joy, laughter, tears, love and most of all gratitude.

My Dad's pecan pies sit ready to bake in the hot oven. Each one was made with love.
My Dad’s pecan pies sit ready to bake in the hot oven. Each one was handmade with love.

 

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A Veteran Who Voted

I only remember seeing my Dad cry twice.  Once was at the funeral of my Mother, to whom he was married 65 years.  The other was when he stood with my son and I at the American cemetery at Anzio, Italy.

When my Dad was 80-years-old, I took him, along my oldest son, Matthew, then 14-years-old, and my cousin, Claudette, on a trip to Italy. It was the first time my Dad had returned to Italy since there as a young, 22-year-old American GI. That trip was no pleasure visit and came right at the height of the Italian campaign of World War II.

We visit the cemetery at Monte Cassino where some of those who fought there, like my Dad, are buried.
We visit the cemetery at Monte Cassino where some of those who fought there, like my Dad, are buried.

My Dad’s first stop was in Sicily when the 5th Army and his 45th Division invaded that large island. Next came Salerno and Paestum.  Soldiers climbed down the sides of the ships carrying the troops into the landing craft that would ferry them to the beaches just south of Salerno. Regarded as the D-Day invasion of Italy, my Dad once recalled how scary it was to climb down the rope nets into the boats bobbing below. He never talked about how terrified he must have been bouncing across the water, knowing what was to come once the gate of the landing craft dropped, exposing him and his men to heavy enemy fire from on shore. The Allies lost 2,009  soldiers at Salerno, another 7,050 were wounded and 3,501 missing.  He would make one more landing after Salerno, at the invasion of Southern France.  I can’t imagine how he did it.

Rows upon rows of white crosses at Anzio mark the graves of Americans who fell during the Italian campaign of World War II.
Rows upon rows of white crosses at Anzio mark the graves of Americans who fell during the Italian campaign of World War II.

During his trip back to Italy, the one thing my Dad wanted to do was to visit the “American cemetery.” After stopping at cemeteries in Salerno and Monte Cassino, we learned that the American fallen were buried at Anzio. We added Anzio to the itinerary.

My Dad explains to my son how the Battle of Anzio took place as they view the giant map on the memorial wall at the Anzio cemetery.
My Dad explains to my son how the Battle of Anzio took place as they view the giant map on the memorial wall at the Anzio cemetery.

We rented a car and drove from Rome to Sicily-Rome American Cemetery, near the beachhead where the Battle of Anzio took place. There are 7,800 buried here, another 3,100 names are listed on the Wall of the Missing.  On the way in, we stopped at the office where a caretaker on duty gave us a pamphlet and told my Dad where he could find the grave of a friend’s uncle who had been killed when parachuting into the battle.

Together, we walked through the rows and rows of white markers. My Dad stood silently and shook his head. “I’ve never understood,” he said, “why I came home and they didn’t.” Tears rolled down his cheek.  He turned away and walked off, my son followed. They paused, long enough for me to capture a photo, in one of the rows while my Dad tried to regain his composure.

My son and my Dad share a quiet moment together in the cemetery at Anzio.
My son and my Dad share a quiet moment together in the cemetery at Anzio.

Veteran’s Day in this country is November 11. This year, it is preceded by Election Day on November 8. My Dad’s birthday is November 21.  My Dad passed away two years ago. If he were still alive, I am sure he would be disgusted by the campaigns being waged this election. But he would vote.  He would vote not only because he deeply believed it was his patriotic duty, just as serving his country in World War II was, but also for all those who didn’t return from the War as he did.

No matter your political persuasions, I hope you’ll vote this Election Day. If not for yourself, for my Dad and all those who gave their lives like those buried at Anzio, who we honor on Veteran’s Day for they are the true ‘silent majority.’

My Dad stands beside one of the graves of the thousands buried at the American cemetery in Anzio.
My Dad stands beside one of the graves of the thousands buried at the American cemetery in Anzio.

Read more about my Dad’s service record here, written by my brother Brad, and create a page for your own service member. I’ve also written about my Dad’s military service in previous blog postings. You can click on the following links to read those in case you missed them: http://bit.ly/2edw57z and http://bit.ly/2eCZyGu.

 

 

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School Festival Created Halloween Fun & Family

A friend of mine was telling  me the other day that she was going to be the fortune-teller at the Halloween Festival at her son’s school.  I smiled and then recalled to her my own sons’ Halloween Festivals when they were in public elementary school in Los Angeles.

I had just come across some photos that I had taken at those festivals so they were fresh on my mind.  In fact, I’ve written about the festivals before. Here’s a link to take you there in case you missed it: http://wp.me/p2ohfO-4BE.

My friend, Pam, dressed as a 'friendly' clown and staffed the ghost castle game at the Calahan School Halloween Festival.
My friend, Pam, dressed as a ‘friendly’ clown and staffed the ghost castle game at the Calahan School Halloween Festival.

Ours wasn’t an elaborate festival but simple, old-fashioned fun with games handcrafted by parent volunteers that provided entertainment for the kids.  Many of them had been designed in coordination with the teachers (an amazingly talented bunch). In addition to the fun they provided, the games actually taught the kids something about chance and probability, physics, calculation or science. That aspect didn’t necessarily register on the kids, of course, but they still had to use some of the skills and thinking processes associated with those academic areas in order to play the games.

Games at the Halloween Festival were designed to teach the kids concepts such as chance and probability.
Games at the Halloween Festival were designed to teach the kids concepts such as chance and probability.

Parents too had a great time.  The festival, held on a Saturday before Halloween, drew families to the school to create a true sense of community within the larger Los Angeles school district, one of the largest, in fact, in the country. This served us well when the Northridge earthquake–measured at 6.4–rocked our school which was located near the epicenter of the quake. Although our school–Calahan Elementary–miraculously didn’t sustain the greatest damage, student enrollment dropped by nearly 100 overnight when families homes and businesses were destroyed or damaged so badly that they could no longer live and work in them.

Parents staffed the games at the school's Halloween Festival while the kids tested their skills.
Parents staffed the games at the school’s Halloween Festival while the kids tested their skills.

The Halloween Festival had built a true caring spirit for the school and families who were part of it. When those students disappeared from our school, their absence left a huge hole and psychologically difficult for the students who remained.  When the district then wanted to move two of our teachers because the school population had shrunk, the entire school rallied in an effort to prevent that action.  Our protests wound up as front page news of the Los Angeles Times and resulted in our teachers remaining at the school until things could be stabilized.

Principal Parade
The principal led the kids in a costume parade around the school grounds. Although he usually dressed in costume himself, this particular year he didn’t. Students still had a great time following him around the classroom and playground.

That kind of ‘togetherness’ is a lesson from which our country’s current political environment benefit.  Calahan had at least 18 different home languages with kids whose families came from all over the world.  The Halloween Festival, in particular, did more to break down any cultural, political or language barriers that existed between us because it took all of us parents, working together, to make it happen. Everyone had something to contribute and contribute they did.  Now, years later, students, teachers and parents keep in touch through our school group Facebook page or e-mail. And Calahan kids who have come after us, often ask to join just because they too have a fondness for the school. It truly was an exception in a district where schools were mostly detached from those who attended them and from each other.

I dressed as a witch on year and took photos of everyone who came in costume to Calahan's Halloween Festival.
I dressed as a witch on year and took photos of everyone who came in costume to Calahan’s Halloween Festival.

While Halloween is a scary holiday for some, for me and the kids who grew up at Calahan Elementary, it conjures up sweet memories of fun and family.  I hope it will do the same for my friend.

Featured

Fall Classic Calls Up Bygone Baseball Days

I don’t remember the World Series taking place in October when I was a kid except for the time that my 5th grade teacher, Mrs. Cunningham, let the class listen to one of the games of the series during class. Maybe the entire school got to listen to it as the radio came through a speaker above the blackboard and was controlled from the principal’s office by Gordon Huggins.  I only recall one other time when the radio came on during class other than for general school announcements, and that was to deliver the sad news that President Kennedy had been assassinated.

I’m not exactly certain why that particular World Series broadcast was played in our classroom but for me it was a signficant series because it was the classic LA Dodgers against the NY Yankees.  I was a pin-striped Yankee fan, which you may consider curious because I grew up in the middle of country in Kansas.  But it was because of my Uncle Joe that I loved the Yanks.

My uncle Joe, right, taught me to play baseball. My Dad taught me photography.
My uncle Joe, right, taught me to play baseball. My Dad taught me photography.

My uncle had grown up in New York City and was serious baseball fan.  In fact, he was the one who taught me to love the game and who spent time tossing the ball back and forth with me, teaching me how to throw not only a softball but a hardball.  I knew all the players on the field at the time–Mickey Mantle, Roger Maris, Yogi Berra, Whitey Ford, Bobby Richardson, Clete Boyer, Tony Kubek and Joe Pepitone (my favorite because he played first base), and one other who honestly I can’t remember now.

My brother, Richard, and I spent countless afternoon after school and on the weekend playing baseball games in the black-topped parking area of my parents’ motel, where we grew up, or in the grassy, V-shaped vacant lot next door to my Aunt Marie and Uncle Dale’s home.  I would lay out the batting line up with my frayed-edge baseball cards for whatever teams we would be pretending to be at the time. Then, the two of us would take turns at bat while the other pitched, fielded and played the bases.  Sometimes, friends would join us for a game of ‘work-’em up’.  Wonder if kids today still play baseball that way, rotating around the positions to ‘work up’ to bat.

In Los Angeles, we played softball on Sunday afternnoons. Sometimes I pitched.
In Los Angeles, we played softball on Sunday afternnoons. Sometimes I pitched.

For a girl, especially in the pre-Title 9 days, I was a pretty darn good. It helped that I was a tomboy and had some natural athletic ability. My early vacant lot training days served me well when I started to play first base or pitch on my church softball summer teams as a teenager.  I still have a little scar on my knee from the night that I slid into first base and was called safe. I even have a trophy, now broken and stowed in a box somewhere, from the summer my team won the church league championship. And I recently found in my parents’ possessions, the well-worn ball glove that I used although I replaced it with a newer, better mitt.

My ball gloves and Yankee cap wait for a day of baseball.
My ball gloves and Yankee cap wait for a day of baseball.

When I lived in Arizona, I played on my newspaper staff’s slow pitch softball team in the city league.  I think I covered first base. My husband, to whom I wasn’t married at the time, was on the pitcher’s mound. We made a pretty good team even then. He likes to tell the story of when I first stepped up to home plate how the outfield moved in, seeing a young woman at bat. But after I lobbed one way behind their heads, they never came in again.

Later, as an adult living in Los Angeles, I organized a Sunday afternoon pick-up softball game with friends and their families that played regularly at a local park. We started with just a couple of youngsters, but, over time, we added several more as our families grew. One friend of mine likes to point out how all the new additions were boys. We continued to play for several years, gathering afterwards for beers and pizza. Those Sunday afternoons are some of my fondest memories now.

The Sunday summer softaball team played pick up games for years.
The Sunday summer softaball team played pick up games for years.

Through the years, I’ve become less of a baseball fan. I frankly always enjoyed playing the game more than watching it. I have lost track of who now plays for “my team” although I still wear my Yankee cap whenever I attend a Mariners-Yankee game even risking beer being ‘accidentally’ spilled on me by an annoying Seattle fan.

While I no longer glue myself to the transistor radio or TV for the World Series, I like the feel of the fans’ excitement and thrill when their team makes it to finals. This year, especially, since two classic teams will take to the field.  Though I’m not a Cubs fan, I’m rooting for them, like so many others, to win the pennant.  Seventy-one years is a long time to wait to make it to the World Series. I hope somewhere, kids sitting in that elementary school classroom get to watch or listen to the game.

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Historic and Iconic Bellingham City Hall Captured on Camera

A company called Light is introducing a new compact camera that uses new technology. They enlisted some photographers to mention it in their blogs and to write about one of their favorite locations to shoot or a unique spot in their city.  I was one of those contacted  for Light’s #VantagePoint project.

The towers of Bellingham's old City Hall rise above a modern day mural depicting the days when the historic structure was built. My photograph was made in 2012 using a Nikkon D700.
The towers of Bellingham’s old City Hall rise above a modern-day mural depicting the days when the historic structure was built. My photograph was made in 2012 using a Nikon D700.

A request like this isn’t easy for me because I have so many favorite spots and so many favorite images that I’ve created over the years.  But I thought I’d take this opportunity to talk to you about one of my favorite local subjects (besides the people I photograph). And that is Bellingham’s old City Hall building, now part of the Whatcom County Museum of Art.

It’s an iconic building in town and safe to say probably the most photographed in Bellingham.  Completed in 1892, it served as the town’s official city hall until 1939 when new offices were built and the museum moved in.

I've photographed the iconic old Bellingham City Hall from a variety of angles and spots. This image made in 2008 with my Nikon F5.
I’ve photographed the iconic old Bellingham City Hall from a variety of angles and spots. This image made in 2008 with my Nikon F5.

 

The noble red-brick and Chuckanut sandstone structure was designed by local architect Alfred Lee in the Second Empire style of Victorian architecture.  According to the City’s website, is “currently one of this style’s most exquisite example in the Pacific Northwest. This building epitomizes the general characteristics of this French inspired style, which are tall, bold and purposely three-dimensional. Some of the design elements are also an eclectic mixture of the Queen Anne and Romanesque Revival style.”  It includes a high mansard roof, classical columns on either side of the main entrance, and a prominent, central bell tower, all of which draw the photographer’s eye.

Walking out of the museum one evening, the silhouette of the old City Hall's towers with the new moon just appearing behind it caught my eye and my camera. This was taken with my Nikon Coolpix S3500 point and shoot.
Walking out of the museum one evening, the silhouette of the old City Hall’s towers with the new moon just appearing behind it caught my eye and my camera. This was taken with my Nikon Coolpix S3500 point and shoot.
This senior's vintage clothing set the tone for his senior photo session at the old City Hall building in Bellingham. It was photographed using my Mamiya RB 67 film camera in 2007.
This senior’s vintage clothing set the tone for his senior photo session at the old City Hall building in Bellingham. It was photographed using my Mamiya RB 67 film camera in 2007.

I have photographed the building, or elements of it, from a variety of spots, angles, times of day and year. It has been the setting for many of my senior portrait sessions and the choice of seniors who want their portrait to reflect something uniquely Bellingham.  And I’ve used a variety of cameras over the years from my Mamiya RB67 and Nikon F5 film cameras, to my digital Nikon D700s to (yes,) my cell phone cameras. It all depends upon what I may happen to have with me or what I’m using at the moment.  The images included in this post were taken on all of these various cameras.

The building now houses part of the museum’s collection and its spacious Rotunda Room is frequently the site for concerts, including the Bellingham Festival of Music‘s popular free lunch-time chamber concerts.  I even photographed one of those this past summer.

Two young concertgoers sit patiently waiting for the Bellingham Festival of Music lunch time program to begin.
Two young concertgoers sit patiently waiting for the Bellingham Festival of Music lunch time program to begin. Taken with my Nikon D700 f3.5 1/50 sec ISO 3200 28-200 @28 mm

When you visit Bellingham, which I hope you’ll do one day, be sure to stop by the old City Hall. It’s likely to be as memorable for you as it has been for many photographers and visitors before you.

I’ve not seen or tried out the new Light camera but according to the company’s website, the camera, Light L16, is sold out until 2017. You can check it out yourself.