Bellingham’s Festival of Music’s 22nd season got off to a bang on Friday evening when the orchestra, under the baton of Michael Palmer, performed the rousing Overture to Royal Fireworks Music by George Frederic Handel. Though evening was unseasonably warm inside Western Washington University’s Concert Hall the audience wasn’t deterred and applauded for an encore from soloist Vadim Gluzman who gave a stunningly beautiful performance of Tchaikovsky’s Violin Concerto. The orchestra too sparkled when it played Mozart’s wonderful (never can have too much Mozart) Symphony No. 36 in C major, the “Linz”.
I often have to remind myself that I am in Bellingham, a city of only 80,000 located 20 miles from the Canadian border, and not in Seattle or San Francisco or even Chicago or New York when I hear this Festival orchestra perform. Of course, the musicians who play in this orchestra for two weeks in the summer, come from orchestras located in those cities. As many of them have said, it’s equally a treat for them as well to perform here year after year (some have been with the Festival since the first year). They have made many friends with their ‘host’ families and those who come to hear them play. They enjoy the opportunity to play in a our beautiful city by the bay and welcome the chance to escape from the heat of their home environs. (This summer has been unseasonably warm for Bellingham.)
It’s one reason the New York Times singled out Bellingham’s Music Festival, along with that of select others in the country, for its article by Michael Cooper which appeared in today’s paper. It is, as Cooper so aptly put it, like ‘summer camp’ for classical musicians.
For concertgoers, the festival brings to the stage some of the world’s best classical music and musicians, without setting foot beyond the city’s boundaries. In my case, I am only steps away from the WWU campus where they perform.
I have had the pleasure of listening to and getting to know, for example, former New York Philharmonic principal oboist Joe Robinson, both as a member of the orchestra and as a soloist. (Pinch me.) Robinson retired from the Festival two summers ago but his spot was filled by protegé, Keisuke Wakao, principal oboist for the Boston Symphony. And I’ve heard some of the finest soloists, such as the Israeli violinist Gluzman, performing in classical music today.
It also brings back to Bellingham local artists such as soprano Katie Van Kooten who’s singing with opera companies and symphony orchestras all over the world, and young rising talent, such as the Calidore String Quartet, whose violist, Jeremy Berry, grew up only blocks from the concert hall where he saw musicians on the very stage where he now performs as part of the Festival’s guest artists.
At this writing, tickets are still available for some concerts. If you’re lucky enough to be in the area, or coming to this corner of the Pacific Northwest in the next two weeks, make it part of your summer. If you can’t make it to Bellingham’s music festival this year, put it in your travel plans for next year. And then you, like so many of the festival musicians, may also find yourself returning year after year!